PER. GB. 3


-ARNOLD (D.), The Solo Motet in Venice (1625-1775), Vol. 106 (1979-1980), pp. 56-68

-BARTLET (M. E. C.), Grétry, Marie-Antoinette and La rosier de Salency, Vol. 111 (1984-1985), pp. 92-120

-BENNETT (A.), Broadsides on the Trial of Queen Caroline: a Glimpse at Popular Song in 1820, Vol. 107 (1980-1981), pp. 71-85

-BENT (I.), The English Chapel Royal before 1300, 90th session (1963-1964), pp. 77-96

-BENT (M.), Sources of the Old Hall Music, 94th session (1967-1968), pp. 19-36

-BIAGI-RAVENI (G.), GIANTURCO (C.), The Tasche of Lucca: 150 Years of Political Serenatas, Vol. 111 (1984-1985), pp. 45-65

-BOYDELL (B.), The Dublin Musical Scene 1749-50 and its Background, Vol. 105 (1978-1979), pp. 77-89

-BROWN (D.), The Anthems of Thomas Weelkes, 91st session (1964-1965), pp. 61-72

-BUJIC (B.), Musicology and Intellectual History: a Backward Glance to the Year 1885, Vol. 111 (1984-1985), pp. 139-154

-BUSH (G.), Sterndale Bennett: the Solo Piano Works, 91st session (1964-1965), pp. 85-97

-BUTCHART (D. S.), The Festive Madrigals of Alessandro Striggio, Vol. 107 (1980-1981), pp. 46-59

-BUTTREY (J.), Dating Purcell’s ‘Dido and Aeneas’, 94th session (1967-1968), pp. 51-62

-CALDWELL (J.), Some Aspects of Tonal Language in Music of the Fifteenth and Sixteenth Centuries, Vol. 110 (1983-1984), pp. 1-24

-CARTER (T.), Jacopo Peri (1561-1633): Aspects of his Life and Works, Vol. 105 (1978-1979), pp. 50-62

-CARVER (A. F.), Polychoral Music: A Venetian Phenomenon?, Vol. 108 (1981-1982), pp. 1-24

-COBBE (H.), The Royal Musical Association 1874-1901, Vol. 110 (1983-1984), pp. 111-118

-COOPER (M.), Giacomo Meyerbeer, 1791-1864, 90th session (1963-1964), pp. 97-129

-CUMMINGS (G.), Reminiscence and Recall in Three Early Settings of Metastasio’s Alessandro nell’Indie, Vol. 109 (1982-1983), pp.  80-104

-CURTIS (G. R. K.), Stylistic Layers in the English Mass Repertory, c. 1400-1450, Vol. 109 (1982-1983), pp. 23-38

-DAWES (F.), The Music of Philip Hart (c. 1676-1749), 94th session (1967-1968), pp. 63-76

-DEAN (W.), Opera under the French Revolution, 94th session (1967-1968), pp. 77-96

-DICKINSON (P.), The Achievements of Ragtime: an introductory Study with some Implications for British Research in Popular Music, Vol. 105 (1978-1979), pp. 63-76

-DIXON (G.), The Origins of Roman ‘Colossal Baroque’, Vol. 106 (1979-1980), pp. 115-128

-DOMMETT (K.), Jazz and the Composer, 91st session (1964-1965), pp. 11-20

-DRABKIN (W.), Beethoven’s Sketches and the Thematic Porcess, Vol. 105 (1978-1979), pp.  25-36

-DRABKIN (W.), Felix-Eberhard von Cube and the North-German Tradition of Schenkerism, Vol. 111 (1984-1985), pp. 180-207

-EVERETT (P. J.), A Roman Concerto Repertory: Ottoboni’s ‘what not’?, Vol. 110 (1983-1984), pp. 62-78

-FERGUSON (H.), Purcell’s Harpsichord Music: lecture-recital, 91st session (1964-1965), pp. 1-10

-FINSCHER (L.), Weber’s Freischütz: Conceptions and Misconcetptions, Vol. 110 (1983-1984), pp.79-90

-FISCHER (von) (K.), Hindemith’s Early Songs for Voice and Piano, Vol. 109 (1982-1983), pp. 147-160

-FITZPATRIC (H.), The Valveless Horn in modern Performances of eighteen-century Music, 91st session (1964-1965), pp. 45-60

-FRANKLIN (P.9, Style, Structure and Taste: Three Aspects of the Problem of Franz Schreker, Vol. 109 (1982-1983), pp. 134-146

-GARDEN (E.), The Influence of Balakirev on Tchaikovsky, Vol. 107 (1980-1981), pp. 86-100

-GREER (D.), The Part-songs of the English Lutenists, 94th session (1967-1968), pp. 97-110

-HARPER (J.), Frescobaldi’s Early Inganni and Their Background, Vol. 105 (1978-1979), pp. 1-24

-HASTANTO (S.), Tembang Macapat in Central Java, Vol. 110 (1983-1984), pp. 118-128

-HEARTZ (D.), From Garrick to Gluck: the Reform of Theatre and Opera in the mid-Eighteenth Century, 94th session (1967-1968), pp. 11-127

-HILEY (D.), The Norman Chant Traditions-Normandy, Britain, Sicily, Vol. 107 (1980-1981), pp. 1-34

-HOLMAN (P.), The English Royal Violin Consort in the Sixteenth Century, Vol. 109 (1982-1983), pp. 39-59

-HOPKINS (B.), Barraqué and the Serial Idea, Vol. 105 (1978-1979), pp.  25-36

-HURAY, le (P.), The Role of music in Eighteenth-and Early Nineteenth-Century Aesthetics, Vol. 105 (1978-1979), pp. 90-99

-HUTCHINGS (A.), Rameau’s Originality, 91st session (1964-1965),PP. 33-44

-JARMAN (D.), Countess Geschwitz’s Series: a Controversy Resolved?, Vol. 107 (1980-1981), pp. 111-118

-JOHNSTON (D.), Bach and the Bible, 90th session (1963-1964), pp. 27-42

-KEMP (I.), Rhythm in Tippett’s Early Music, Vol. 105 (1978-1979), pp. 142-153

-LAURIE (M.), Did Purcell set ‘The Tempest’?, 90th session (1963-1964), pp. 43-58

-LAYTON (R.), Sibelius: the Early Years, 91st session (1964-1965), pp. 73-84

-LEFKOWITZ (M.), Shadwell and Locke’s Psyche: the French Connection, Vol. 106 (1979-1980), pp. 42-55

-LEOPOLD (S.), Remigio Romano’s Collection of Lyrics for Music, Vol. 110 (1983-1984), pp. 45-61

-LEECH-WILKONSON (D.), Related Motets from Fourteenth-Century France, Vol. 109 (1982-1983), pp. 1-22

-LLOYD (A. L.), The Music of Rumanian Gypsies, 90th session (1963-1946), pp. 15-26

-MACDONALD (H.), To Repeat or Not to Repeat?, Vol. 111 (1984-1985), pp. 121-128

-MANNING (P.), Computers and Music Composition, Vol. 107 (1980-1981), pp. 119-131

-McCALDIN (D.), Mahler and Beethoven’s Ninth Symphony, Vol. 107 (1980-1981), pp. 101-110

-McKINNON (J.), The Exclusion of Musical Instruments from the Ancient Synagogue, Vol. 106 (1979-1980), pp. 77-87

-MELLERS (W.), The Avant-garde in America, 90th session (1963-1964), pp. 1-14

-MILNER (A.), Music in a Vernacular Catholic Liturgy , 91st session (1964-1965), pp. 21-32

-MILSOM (J.), Songs, Carols and Contrafacta in the Early History of the Tudor Anthem, Vol. 107 (1980-1981), pp. 34-45

-NEWCOMB (A.), Frescobaldi’s Toccatas and their Stylistic Ancestry, Vol. 111 (1984-1985), pp. 28-44

-ORLEDGE (R.), Satie’s Approach to Composition in his Later Years, Vol. 111 (1984-1985), pp. 155-179

-PAGE (C.), Music and Chivalric Fiction in France, 1150-1300, Vol. 111 (1984-1985), pp. 1-27

-PIRROTTA (N.), The Traditions of Don Juan Plays and Comic Operas, Vol. 107 (1980-1981), pp. 60-70

-RIMMER (J.), Harps in the Baroque Era, 90th session (1963-1964), pp. 59-76

-ROCHE (J.), Musica diversa di Compietà: Compline and its Music in seventeenth-Century Italy, Vol. 109 (1982-1983), pp. 60-79

-RUSHTON 8J.9, Berlioz’s Swan-Song: Towards a Criticism of Béatrice et Bénédict, Vol. 109 (1982-1983), pp. 105-118

-SADIE (J. A.), Bowed Continuo Instruments in French Baroque, Vol. 105 (1978-1979), pp. 37-49

-SADLER (G.9, Rameau and the Orchestra, Vol. 108 (1981-1982), pp. 47-68

-SAMSON (J.), Szymanowski- An Interior Landscape, Vol. 106 (1979-1980), pp.69-76

-SAWKINS (L.), Rameau’s Last Years: Some Implications of Rediscovered Material at Bordeaux, Vol. 111 (1984-1985), pp. 66-91

-SMACZNY (J.), The Operas and Melodramas of Zdenĕk Fibich, Vol. 109 (1982-1983), pp. 119-134

-SMITH (A.), The Cultivation of Music in English Cathedrals in the Reign of Elizabeth I, 94th session (1967-1968), pp. 37-50

-SMITH (J.), A Metamorphic Tragedy, Vol. 106 (1979-1980), pp. 105-114

-SMITHER (H. E.), Oratorio and Sacred Opera, 1700-1825: Terminology and Genre Distinction, Vol. 106 (1979-1980), pp. 88-104

-STERNFELD (F. W.), A Note on Stile Recitativo, Vol. 110 (1983-1984), pp. 41-44

-TROWELL (B.), Proportion in the Music of Dunstable, Vol. 105 (1978-1979), pp. 100-141

-TUCKER (G.), Wagner’s Individual Sketches for Parsival, Vol. 110 (1983-1984), pp. 91-110

-WALLS (P.), The Origins of English Recitative, Vol. 110 (1983-1984), pp. 25-40

-WARD (J. M.), The Hunt’s Up, Vol. 106 (1979-1980), pp. 1-26

-WATERHOUSE (J. C. G.), G. F. Malipero’s Crisis Year (1913-1919), Vol. 108 (1981-1982), pp. 126-141

-WEBER (W.), Intellectual Bases of the Handelian Tradition, 1759-1800, Vol. 108 (1981-1982), pp. 100-114

-WHITTALL (A.), Post-Twelve-Note Analysis, 94th session (1967-1968), pp. 1-18

-WHITTALL (A.), The Study of Britten: Triadic Harmony and Tonal Structure, Vol. 106 (1979-1980), pp. 27-41

-WILLIAMSON (J.), Liszt, Mahler and the Chorale, Vol. 108 (1981-1982), pp. 115-125

-WIDDESS (D. R.), Rhythm and time-Measurement in South Asian Art-Music: Some Observations on tāla, Vol. 107 (1980-1981), pp. 132-139

-WOLLENBERG (S.), Music in 18th-Century Oxford, Vol. 108 (1981-1982), pp. 69-99

-WOOD (C.), Orchestra and Spectacle in the tragédie en musique 1673-1715: oracle, sommeil and tempête, Vol. 108 (1981-1982), pp. 25-46


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