PERSPECTIVES OF NEW MUSIC

PERSPECTIVES OF NEW MUSIC

PER. US. 1

 

 

 

-AA. VV. , From Modern Music: Some Representative Passages, Anno 1964, Spring-Summer, pp. 21 – 34

-AA. VV. , Reports, Anno 1964, Spring-Summer, pp. 159 – 178

-ADAMS (J.L.), For Jim (rising), A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 447-454

-ADAMS (S.), Following the Prophecies of Song: Schubert Lieder in Thomas Adès’s Arcadiana, Anno 2010, Winter, pp. 200-207

-ADORNO (Th.), Richard Strauss, Anno 1965, Spring-Summer, pp. 14-32

  • Richard Strauss – Part II, Anno 1966, Spring-Summer, pp.113-129

-AGMON (E.), The Multiplicative Norm and Its Implications for Set-Class Theory, Anno 2002, Winter, pp. 216-234

-AGON (C.), Modeling and Implementing Tiling Rhythmic Canons in the OpenMusic Visual Programming Language, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 65-92

-ALEGANT (B.), Having your Cake and Eating It Too: The Property of Reflection in Twelve-Tone Rows (Or, Futher Extensions on the Mallalieu Complex), Anno 2002, Summer, pp. 233-274

-ALVES (B.), Kembangan in the Music of Lou Harrison, Anno 2001, Summer, pp. 29-56

-AMES (C.), Automated Composition: An Installation at the 1985 International Exhibition in Tsukuba, Japan, Anno 1985, Spring-Summer, pp. 196-215

  • Reflections on James Tenney, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 455-458
  • Statistics and Compositional Balance, Computer Music Forum, Anno 1990, Winter, pp. 80-111

-AMIOT ( E.), Structures, Algorithms, and Algebraic Tools for Rhythmic Canons, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 93-143

-AMIRKHANIAN (C.), Pâte de Pas de Voix, Anno 1988, Summer, pp. 32-43

-ANDERS (T.), A Computational Model for Rule-Based Microtonal Music Theories and Composition, Anno 2010, Summer, pp. 47-77

-ANDERSON (A.), For Marty, Martin Boykan Festschrift, Anno 2000, Summer, pp. 161-167

-ANDERSON (P.), Echoes of Petrarch: Martin Boykan and Musical Narrative, Martin Boykan Festschrift, Anno 2000, Summer, pp. 168-182

-ANDREATTA (M.), Modeling and Implementing Tiling Rhythmic Canons in the OpenMusic Visual Programming Language, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 65-92

  • constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a “Mathemusical” Problem, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 33-65

-ANTONIOU (T.), For Ernst, Anno 1985, Fall-Winter, pp. 273-276

-APPLETON (J. H.), Reevaluating the Principle of Expectation in Electronic Music, Anno 1969, Fall-Winter, pp. 106-111

-ARCHIBALD (B.), The Harmony of Berg’s “Reigen”, Anno 1968, Spring-Summer, pp. 73-91

  • Some Thoughts on symmetry in Early Webern: Op. 5, No. 2, Anno 1972, Spring-Summer, pp. 159-163

-ARDITO (L.), Miriam Gideon: A Memorial Tribute, Anno 1996, Summer, pp. 202-215

-ARIAS (E.A.), Alexander Tcherepnin’s Thoughts on Music, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 138-144

-ARNOLD (S.), An Introduction and a Study :  String Quartet No.3, Anno 1976, Fall-Winter, pp. 155-186

-ASHFORTH (A.), Linear and Textural Aspects of Schoenberg’s Cadences, Anno 1977, Fall-Winter, pp. 195-224

-ASPLUND (C.), Frederic Rzewski and Spontaneous Political Music, Anno 1995, Winter-Summer, pp. 418-441

  • Improvisation, Hetereophony, Politics, Composition: A Panel Discussion, Anno 2007, Summer, pp. 133-149

-AUSTIN (L.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 27-33

  • Report from Vancouver: 1985 International Computer Music Conference, Anno 1985, Spring-Summer, pp. 252-265
  • Living Tomorrow’s Life: In Memoriam, Salvatore Martirano, 1927-1995, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 162-165

-AUSTIN (R.), Digicon 85, Anno 1985, Spring-Summer, pp. 266-273

-AYLWARD (J.), Metric Synchronizations and Long-Range Polyrhythms in Elliott Carter’s Fifth String Quartet, Anno 2009, Summer, pp. 88-99

-BABBITT (M.), Remarks on the Recent Stravinsky, Anno 1964, Spring-Summer, pp. 35 – 55

  • Twelve-Tone Rhythmic Structure and the Electronic Medium, Anno 1962, Fall, pp. 49 -79
  • The use of computers in Musicological research, Anno 1965, Spring-Summer, pp.74-83
  • Edgard Varèse: A Few Observations of his Music, Anno 1966, Spring-Summer pp. 14- 22
  • On Relata I, Anno 1970, Fall-Winter, pp. 1-22
  • Since Schoenberg, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 3-28
  • Responses : a first approximation, Anno 1976, Fall-Winter, pp. 3-23
  • Ben Weber (1919-1979), Anno 1979, Spring-Summer, pp. 11-13
  • Robert Miller (1930-1981), 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 26-27
  • I Remember Roger, Anno 1985, Spring-Summer, pp. 112-116
  • On Having Been and Still Being an American Composer, Anno 1989, Winter, pp. 106-113

-BACHT (N.), Jean-François Lyotard’s Adaptation of John Cage’s Aesthetics, Anno 2003, Summer, pp. 226-249

-BACKUS (J.), Die Reihe: A Scientific Evaluation, Anno 1962, Fall, pp. 160 – 171

-BAILEY (D.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp.  46-52

-BALIK (J.), Romantic Subjectivity and West German Politics: wolfgang Rihm’s Jakob Lenz, Anno 2009, Summer, pp.228-248

-BALDRIDGE (W.), Morton Feldman : One Whose Reality Is Acoustic, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 112-113

-BALES (R.), Aaronesque, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 3

-BANDUR (M.), The Composition of Meaning: Construction and >Semantics in Karlheinz Stockhausen’s Luzifer-Gruss vom Samstag aus Licht, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 157-178

-BARATA (A.G.), Sources of Information for Woodwind Multiphonics: An Annotated Bibliography, Anno 1988, Winter, pp. 246-257

-BARLOW (J.K.), A Music-Theoretic Proposition of Stephen Dedalus, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 519-524

-BARKIN (E.), Louise Talma: “The Rolling Bell”, Anno 1972, Spring-Summer, pp. 142-152

  • A View of Schoenberg’s Op. 23/1, Fall-Winter – Anno 1974, Spring-Summer, pp. 99-127
  • Arnold Schoenberg by Charles Rosen, Anno 1975, Fall-Winter, pp. 197-208
  • Conversation Piece, Anno 1976, Fall-Winter, pp. 83-84
  • To Whom It May Concern, Anno 1977, Fall-Winter, pp. 191-194
  • Post Impressions: Arthur Berger’s Trio for Guitar, Violin, & Piano (1972), Postlude (ERB for AVB), Anno 1978, Fall-Winter, pp. 23-39
  • Play it AS it lays, Anno 1979, Spring-Summer, pp. 17-24
  • A Dedication, Five ADmusementS, & A Digression, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 407-421
  • Earl Kim: Earthlight, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 269-277
  • A Questionnaire, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 451-463
  • Clara Silvers Steuermann (1922-1982), 1981, Fall-Winter – Anno 1982, Spring-Summer, p. 28
  • Conversations with Rachel Rosenthal, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 567-581
  • Wordsworth, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 247-252
  • All American Music by John Rockwell, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 535-544
  • Four Texts, Anno 1984, Fall-Winter, pp. 98-107
  • For Arthur Victor Berger on his Seventy-fifth Birthday, Anno 1987, Winter-Summer, pp. 612-617
  • Being a Composer in America, Anno 1988, Winter, pp. 243-245
  • …..typescript, “…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 284-288
  • On J.K. Randall’s “…such words as it were vain to close…”,“…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 289-295
  • “either/other”, Anno 1992, Summer, pp. 206-233
  • The Cage Case: Existential Joker, Anno 1993, Summer, pp. 128-131
  • Strictly Personal, Memories of Yesteryears, revived with Affection, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 166-167
  • Reexperiencing Language, as a Music Revisited, Anno 2000, Winter, pp. 223-245
  • Afterword, Anno 2001, Summer, pp. 57-62
  • A Response To Rhian Samuel, Anno 2002, Summer, pp. 275-277
  • About Some Music of Thomas Adès, Anno 2009, Winter, pp. 165-173

-BARON (C.K.), Dating Charles Ives’s Music: Facts and Fictions, Anno 1990, Winter, pp. 20-57

-BARTLET T (A.W.), Cecil Taylor, Identity Energy, and the Avant-Garde African American Body, Anno 1995, Winter-Summer, pp. 274-293

-BASSETT (L.), In Praise of William Albright, William Albright in Memoriam, Anno 1999, Winter, pp. 27-30

-BATSTONE (Ph.), Musical Analysis as Phenomenology, Anno 1969, Fall-Winter, pp. 94-110

  • Multiple Order Functions on Twelve-Tone Music, Anno 1972, Spring-Summer, pp. 60-71

-BAUER (R.), To Martin Boykan on His Seventieth Birthday, Martin Boykan Festschrift, Anno 2000, Summer, pp. 183-187

-BAYLY (R.), Ussachevsky on Varèse : An Interview April 24, 1979 at Goucher College, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 145-151

– BAZELOW (A. R.), A Partition problem Posed by Milton Babbit (Part I) , Anno 1976, Fall-Winter, pp.280-293

-BEAUDOIN (R.), Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of The History of Photography in Sound, Anno 2007, Summer, pp. 5-27

-BECK (P.), Project, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 515-519

-BEHM (M), A.S.U.C: Region V Conference, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 604-607

-BEHRMAN (D.), what Indeterminate Notation Determines, Anno 1965, Spring-Summer, pp. 58-73

-BELET (B.), An Interview with James Tenney, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 459-466

– BENADON (F.), Gridless Beats, Anno 2009, Winter, pp. 135-164

-BENJAMIN (T.), Little (Second)  Viennese Waltz, Anno 1985, Fall-Winter, pp. 277-285

-BENJAMIN (W. E.), The Structure of Atonal Music by Allen forte, Anno 1974, Fall-Winter, pp. 170-190

  • Two Conferences, One Culture : A Report on the ASUC an Theory Meetings on Boston, Anno 1975, Fall-Winter, pp. 213-221

-BENSON (W.), Structure and Numerology in Stravinsky’s In Memoriam Dylan Thomas, Anno 1985, Spring-Summer, pp. 166-185

-BERGAMO (J.), Faropace, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 467-469

-BERGÉ (P.), Interpreting a Composition, Composing an Interpretation: Schnebel’s Schubert-Phantasie (1978, rev. 1989), Anno 2007, Winter, pp. 224-235

-BERGER (A.) & BORETZ (B.), Editorial note, Anno 1962, Fall, pp. 4 – 5

-BERGER (A.), New Linguistic modes and the New Theory, Anno 1964, Fall-Winter, pp. 1 -9

  • Problems of Pitch Organization in Stravinsky, Anno 1963, Fall-Winter, pp. 11 – 42
  • Some Motes on Babbit and his Influence , Anno 1976, Fall-Winter, pp. 32-36
  • Partita for Piano, Anno 1978, Fall-Winter, pp. 1-19
  • An Improvisation for A.C., Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 4-7
  • For Elliot at 75, Study in 7ths and 9ths, Anno 1984, Fall-Winter, pp. 38-43
  • Symposium: The Nature of Music, Anno 1985, Fall-Winter, pp. 96-97
  • Symposium: The Nature of Music, Music as Imitation, Anno 1985, Fall-Winter, 108-119
  • Roger Sessions: A Reminiscence, Anno 1985, Spring-Summer, pp. 117-118
  • A Conversation about Perspectives, Anno 1987, Winter-Summer, pp. 592-607
  • For Don at 60, for piano, A Tribute to Donald Martino, Anno 1991, Summer, p. 480
  • Aaron Copland, 1900-1990, Anno 1992, Winter, pp. 296-299

-BERGSMA (W.), For Aaron from Bill, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.8

-BERIO (L.), Four Envois, Anno 1993, Summer, pp. 132-135

-BERNARD (J.) An Interview with Elliott Carter, Anno 1990, Summer, pp. 180-215

  • Cracked Octaves, Warped Perspectives: A Response, Anno 1992, Summer, pp. 274-289
  • The Minimalist Aesthetic in the Plastic Arts and in Music, Anno 1993, Winter, pp. 86-133

-BERNARD (J.W.), The Evolution of Elliott Carter’s Rhythmic Practice, Anno 1988, Summer, pp. 164-203

  • I See Smoke, But Where’s the Fire?, In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 255-259

-BERNARDINI (N.), 1986 International Computer Music conference, Den Haag. review in Two Parts, Anno 1987, Winter-Summer, pp. 618-637

-BERNSTEIN (L.), A.C., Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 9

-BERRY (W.),  Apostrophe : A Letter from Ann Arbor, Anno 1976, Fall-Winter, pp.187-199

  • Symmetrical Interval Sets and Derivate Pitch Materials in Bartòk’s Quartet No.3, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 287-380

-BESSEL (D.), Formant Synthesis, Granular Synthesis, and Waveshaping in Halo, Bells and Voices, Bessell, Anno 2007, Winter, pp. 236-253

-BHON (J.), A Replay to Boros, Anno 1994, Winter, pp. 224-225

-BIALOSKY (M.), Felice Compleanno, Maestro Don, for clarinet, A Tribute to Donald Martino, Anno 1991, Summer, p. 481

-BIGGS (H.), A Musical Moment (I Hope) for Marty, Martin Boykan Festschrift, Anno 2000, Summer, pp. 188-191

-BLACK (R.), “… and each harmonical has a point of its own…”, Anno 1978, Fall-Winter, pp. 126-130

  • Boulez’s Third Piano Sonata : Surface and Sensibility, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 182-198
  • Contemporary Notation and Performance Practice: Three Difficulties, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 117-146
  • Horizons ’84, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 514-518
  • Anton Webern in a Dream, Anno 1985, Spring-Summer, p. 119

-BLACKBURN (P.), As/signment, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 130-129

-BLAKELY (B.), Foundations of Computer Music : A Review, Anno 1985, Fall-Winter, pp. 450-453

-BLACKWOOD (E.), Modes and Chord Progressions in Equal Tinings, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 166-201

-BLANCHOT (M.), Ars Nova, Anno 1979, Spring-Summer, pp. 76-84

-BLAND (W.), Festschrift, for Ernst K., Anno 1985, Fall-Winter, pp. 286-292

-BLASIUS (L.) Late Feldman and the Remnants of Virtuosity, Anno 2004, Winter, pp. 32-83

-BLAUSTEIN (S.), Criteria for Grouping in Milton Babbitt’s Minute Waltz, Anno 1986, Spring-Summer, pp. 30-79

  • The Survival of Aesthetics: Books by Boulez, DeLio, Rochberg, Anno 1989, Winter, pp. 272-303

-BLOCK (S.D.), The Making of New Music Ensamble, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 592-599

  • George Rochberg: Progressive or Mater Forger?, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 407-409

-BLOMSTER (W), Commentary on Art and Politics, Anno 1977, Fall-Winter, pp. 25-26

  • The Reception of Schoenberg in the German Democratic Republic, For H.R., Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 114-137

-BLUMENFELD (H.), Hugo Weisgall’s 66th Birthday and the new Garden of Adonis Anno 1977, Fall-Winter, pp. 156-166

-BLUMRÖDER (C.) VON, Orientation to Hermann Hesse, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 65-96

-BOATWRIGHT (H.), Ives’ Quarter-Tone Impressions, pp. 22-31, Spring-Summer 1965

-BORDERS (J.) Form and the Concept Album: Apects of Modernism in Frank Zappa’s Early Releases, Anno 2001, Winter, pp. 118-160

-BORETZ (B.), Serial Composition and Atonality, by George Perle, Anno 1963, Spring, pp. 125 – 136

  • A Note on Discourse, Anno 1966, Spring-Summer, pp.76-80
  • Meta-Variations: Studies in the Foundations of Musical Thought (I), Anno 1969, Fall-Winter, pp. 1-74
  • The Construction of Musical Syntax (I), Anno 1970, Fall-Winter, pp. 23-42
  • Sketch of a Musical System (Meta-Variations, Part II), Anno 1970, Fall-Winter, pp. 49-111
  • Meta-Variations, Part IV: Analytic Fallout (I), Anno 1972, Fall-Winter, pp.146-223
  • Meta-Variations, Part IV: Analytic Fallout (II), Anno 1973, Spring-Summer, pp. 156-203
  • A World of Times, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 282-314
  • (“…my chart shines high where the blue milks upset…”, Anno 1976, Fall-Winter, pp. 337-423
  • Two Replies, Anno 1977, Spring-Summer, pp. 239-242
  • Musical Cosmology, Anno 1977, Spring-Summer, pp. 122-132
  • What Lingers On (, When The Song Is Ended) , Anno 1977, Fall-Winter, pp. 102-109
  • Afterward (: a foreword), Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 557-559
  • Interface, Part I: Commentary: The Barrytown Orchestra on Hunger Day, November 15, 1984, Anno 1985, Spring-Summer, pp. 90-95
  • A Conversation about Perspectives, Anno 1987, Winter-Summer, pp. 592-607
  • Thoughts In Reply to Boulez/Foucault, “contemporary Music and the Public”, Anno 1987, Winter-Summer, pp. 608-611
  • Liberation., Anno 1989, Winter, pp. 114-117
  • On Thinking about Various Issues Induced by the Problem of Discovering That One Is Not a ‘Composer’, and That the Space Which One Inhabits Musically Is Not America, Anno 1989, Summer, pp. 38-44
  • The inner Studio (Strategies for Retrieving Reality in Music Experience and Practice) (Interface: Part VI), Anno1991, Winter, pp. 80-89
  • (“starting now, from here,…”) 3 consecutive occasion of sociomusical reflection, “…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 249-283
  • Regretting John Cage and Kenneth Gaburo: a Gathering of Texts, Anno 1993, Summer, pp. 118-127
  • A ((P)Re)View of Elaine Barkin’s Twenty-Year Retrospective Collection of her Works for Print, Anno 1996, Summer, pp. 224-233
  • Music As Anti-Theatre: A text about Some Writings by John Rahn, Anno 2001, Winter, pp. 161-187
  • Invention (an offering in memory of Arthur Berger (1912-2003)), Anno 2003, Summer, pp. 6-7
  • Is Music Necessary? (For the CSPE Forum at UCSD, 17/28/2003), Anno 2003, Summer, pp. 250-255
  • Vignettes of Old Masters IV: Jim Randall’s benfest (for Jim Randall at 77), Anno 2007, Winter, pp. 138-153
  • Rainyday Reflactions, A Thousand Plateaus, Anno 2008, Summer, pp. 59-80

-BOROS (J.), An Interview with Rolv Yttrehus on the Occasion of Gradus ad Parnassum, Anno 1988, Summer, pp. 238-253

  • The Systematic Chromaticism of Robert Moevs, Anno 1990, Winter, pp. 294-323
  • A Conversation with Robert Moevs, Anno 1990, Winter, pp. 324-335
  • A Conversation with Donald Martino, A Tribute to Donald Martino, Anno 1991, Summer, pp. 212- 279
  • Donals Martino’s Fantasy Variations: The First Three Measures, A Tribute to Donald Martino, Anno 1991, Summer, pp. 280-293
  • Why Complexity? (Guest Editor’s Introduction), Anno 1993, Winter, pp. 6-9
  • Why Complexity? (Part Two): (Guest Editor’s Introduction), Anno 1994, Winter, pp. 90-101
  • Elephantine Data Mist, Anno 1994, Winter, pp. 102-113
  • Composing a Viable (if Transitory) Self, Anno 1994, Winter, pp. 124-131
  • A response to Bohn, Anno 1994, Winter, pp. 226-227
  • The Hen Series, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 162-169
  • A “New Totality?”, Anno 1995, Winter-Summer, pp. 538-554
  • Cheered by Battleship, Anno 1995, Winter-Summer, pp. 554-559
  • A Response to Lerdahl, Anno 1996, Winter, pp. 252-257

-BOSS (J.), The “Continuous Line” and Structural and Semantic Text-Painting in Bernard Rands’s Canti d’Amor, Anno 1998, Summer, pp. 143-186

-BOTSTEIN (L.), A Pyrrhic victory for Scholarship? The New Groves Dictionary, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 568-591

-BOULANGER (R.), Toward a New Age of Performance: Reading the Book of Dreams with the Matews Electronic Violin, Anno 1986, Spring-Summer, pp. 130-155

-BOULEZ (P.), “Sonate, que me veux-tu?”, Anno 1963, Spring, pp. 32 – 44

  • Alea, Anno 1964, Fall-Winter, pp. 42 – 53
  • Contemporary Music and the Public, Anno 1985, Fall-Winter, pp. 6-13
  • From the Domaine Musical to IRCAM, (in conversation with Pierre-Michel Menger), Anno 1990, Winter, pp. 6-19

-BOULIANE (D.) vedi LEBARON (A.), Darmstadt…

-BOWLES (G.), Festklang for Ernst K., Anno 1985, Fall-Winter, pp. 293-294

-BOYKAN (M.), Andrew Imbrie: Third Quartet, Anno 1964, Fall-Winter, pp. 139 – 146

  • Elliott Carter and the Postwar Composers, Anno 1964, Spring-Summer, pp. 125 – 128
  • « Neoclassicism » and Late Stravinsky, Anno 1963, Spring, pp. 155 – 169
  • String quartet (1967), Anno 1973, Spring-Summer, pp. 210-248
  • For Milton, Anno 1976, Fall-Winter, pp. 202-228
  • A Naturally Gifted Composer, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 168-169
  • For Richard Swift, For Richard Swift at 70, Anno 1997, Winter, pp. 5-12

-BOWMAN (E.M.), The Relationship of Music and popular Culture in Schooling, Anno 1989, Winter, pp. 118-123

-BRANCHI (W.), Speaking Sounds, Anno 1979, Spring-Summer, pp. 85-97

-BRAKHAGE (S.), James Tenney, A Tribute to James Tenney, Anno 1987, Winter-Summer, p.470

– BRICKLE (F)., vedi BAZELOW (A. R.), A Partition.

-BRODBECK (D.L.), Harmony & Voice Leading by E. Aldwell and C. Schachter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp.425-431

– BRODY (M.), Sensibility Defined : Set Projection in Stefan Wolpe’s FROM for piano, Anno 1977, Spring-Summer, pp. 3-22

  • An Anatomy of Intentions : Observations on Seymour Shifrin’s Responses, for solo piano, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 278-304
  • Criteria for Grouping in Milton Babbitt’s Minute Waltz, Anno 1986, Spring-Summer, pp. 30-79
  • MSHJ: Faith and Deeds in The White Island, A Tribute to Donald Martino, Anno 1991, Summer, pp. 294-311
  • Wolpe’s Inner Beauty (A Response to Christopher Hasty with 3 Entries for a Wolpe Lexicon), Wolpe Centennial Essays, Anno 2002, Summer, pp. 174- 182

-BROMAN (P.F.), Touching up the Paint or a Complete Vinyl Residing? Reflections over Meta-Scientific Problems in Music Theory, Anno 1999, Winter, pp. 5-26

-BROOKS (W.), Competenza Maledetta, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 11-48

  • Jhon Cage and History: Hymns and Variations, Anno 1993, Summer, pp. 74-103

-BROWN (B.), Music of Alban Berg: Recordings, Anno 1963, Spring, pp. 170 – 173

  • The Noise Instruments of Luigi Russolo, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 31-49

-BROWN (G.H.), Process as Means and Ends in Minimalist and Postminimalist Music, Anno 2010, Summer, pp. 180-192

-BROWNE (R.), Billy Jim Layton: Dance Fantasy, Anno 1965, Spring-Summer, pp.161-170

  • A Note in Memory of Thomas Clifton, Anno 1977, Fall-Winter, p. 229

-BRUBAKER (B.), Surrounded by this Incredible Vortex Of Musical Expression: A Conversation with Gunther Schuller, Anno 2011, Winter, pp. 172-181

-BRÜN (H.), Against Plausibility, Anno 1963, Fall-Winter, pp. 43 – 50

  • Drawing Distinctions Links Contradictions, Fall-Winter – Anno 1974, Spring-Summer, pp. 29-39
  • To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134
  • …There Goes Sal, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 170-171

-BRUNNER (L.W.), Bowling Green’s Second annual New Music Festival, A Review, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.483-490

-BRUNO (P.), Donnerstah aus Licht; A New Myth, or Simply an Updating of a knowledge?, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 133-156

-BUCHLER (M.), Broken and unbroken Interval Cycles and Their Use in Determining Pitch Class Set Resemblance, Anno 2000, Summer, pp. 52-87

-BUDD (H.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 53-62

  • A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 471

-BULOW (H.T), Impressions After an Improvisation, 1981, Fall-Winter – Anno 1982, Spring-Summer, p.651

-BULUT ( Z.), Theorizing Voice in Performance: György Ligeti’s Aventures, Anno 2010, Winter, pp. 44-64

-BURGE (D.), Three Variations on Simple Gifts, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 10-12

  • Gloria del disteso mezzogiorno, Anno 1985, Fall-Winter, pp. 295-298
  • Mere Complexities, Anno 1993, Winter, pp. 58-63

-BURK (P.), HMSL ( Hierarchical Music Specification Language): A Theoretical Overview, Computer Music Forum, Anno 1990, Summer, pp. 136-179

-BURKHART (C.), Schoenberg’s Farben, Fall-Winter – Anno 1974, Spring-Summer, pp. 141-172

-BURNETT (H.), Glossary, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 48-51

  • Minezaki Kōtō’s Zangetsu, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 78-117

-BURROWS (D.), Speaking and Singing, Anno 1979, Spring-Summer, pp. 25-27

-BURT (W.), Listening to Ten Tape Pieces by Kenneth Gaburo, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 148-161

  • The Wilson Installations, Anno 2010, Winter, pp. 93-135

-BUTOR (M.), Music as a Realistic Art, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 448-463

-CAGE (J.), Tokyo Lecture and Three Mesostics, Anno 1988, Winter, pp. 6-25

-CALLENDER (C.), Formalized Accelerando: An Extention of Rhythmic Techniques in Nancarrow’s Acceleration Canons, Anno 2001, Winter, pp. 188-210

-CAMPANA ( D.), New Music America 1982, Report, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 609-614

-CAMPO (F.), Report from Venice (1982), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 372-377

-CAPALBO (M.), Charts, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 309-332

-CEELY (R.), Minute Rag for solo Piano, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, pp. 250-252

-CARABELL (P.), Photography, Phonography, and the Lost Object, Anno 2002, Winter, pp. 176-189

-CAREY (C.), Mother Lode Issues: Shapey’s Worksheet and the Late Music, Anno 2009, Summer, pp. 249-264

-CAREY (N.), Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues, Anno 1996, Summer, pp. 62-87

-CARTER (E.), Letter from Europe, Anno 1963, Spring, pp. 195 – 205

  • The Milieu of the American Composer, Anno 1962, Fall, pp. 149 – 151
  • Expressionism and American Music, Anno 1965, Fall-Winter, pp. 1-13
  • To Think of Milton Babbit, Anno 1976, Fall-Winter, pp. 29-31
  • Roger Sessions Admired, Anno 1985, Spring-Summer, pp. 120-122

-CERVETTI (S.), Madrigal IV, Anno 1985, Fall-Winter, pp. 299-304

-CHADABE (J.), New Approaches to Analog-Studio Design, Anno 1967, Fall-Winter, pp.107-113

  • A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30

-CHAMBERS (E.), In Memoriam William Albright, Anno 1999, Winter, pp. 31-34

-CHANDRA (A.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

-CHEONG (W.), Symmetrical Permutation, the Twelve Tonew, and Messiaen’s Catalogue d’oiseaux, Anno 2007, Winter, pp. 110-137

-CHERLIN (M.), Dramaturgy and Mirror Imagery in Schönberg’s Moses und Aron: Two Paradigmatic Interval Palindromes, Anno 1991, Summer, pp. 50-71

-CHIKINDA (M.), Pärt’s Evolving Tintinnabuli Style, Anno 2011, Winter, pp. 182-206

-CHILD (P.), Invention: To Marty Boykan at 70, Martin Boykan Festschrift, Anno 2000, Summer, pp. 192-194

– CHILDS (B.), Time and Music: A Composer’s View, Anno 1977, Spring-Summer, pp.194-219

  • The University of Redlands, New Music Ensemble, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 517-520
  • S.U.C. 1982 National Conference, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 600-603
  • Forum: Improvisation, (Edited by), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 26-111
  • Interview with Jim Fox, Anno 1986, Spring-Summer, pp. 236-240
  • A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 472

-CHISLETT (L.), Sulle Scale della Fenice: Performer’s Notebook, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 94-99

-CHRISTIANENS (J.), “Absolute Purity Projected Into Sound”: Goeyvaerts, Heidegger and early Serialism, In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp. 168-179

-CLAMPITT (D.), Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues, Anno 1996, Summer, pp. 62-87

-CLARK (T.), Duality of Process and Drama in Larry Austin’s Sonata Concertante, Anno 1984, Fall-Winter, pp. 112-125

-CLARKE (M.), Extending Contacts: The Concept of Unity in Computer Music, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 221-246

-CLARKSON (A.), Essays in Actionism: Wolpe Pieces for Three Pianists, Wolpe Centennial Essays, Anno 2002, Summer, pp. 115-133

-CLENDINNING (J.P.), The Pattern-Meccanico Compositions og György Ligeti, Anno 1993, Winter, pp. 192-235

-CLIFFORD (R.), Multi-level Symmetries in Webern’s Op. 11, No. I, Anno 2002, Winter, pp. 198-215

-CLIFTON (T.), Types of Symmetrical Relations in Stravinsky’s A Sermon, A Narrative and A Prayer, Anno 1970, Fall-Winter, pp. 96-112

  • On Listening to Hertzgewächse, Anno 1973, Spring-Summer, pp. 87-103

-CLINGAN (M.), With a Bang (Not a Whimper): June in Buffalo 1992, Anno 1992, Summer, pp. 290-292

-CLOUGH (J.), TEMPO : A Composer’s Programming Language, Anno 1970, Fall-Winter, pp. 113.125

  • Diatonic Interval Set and Transformational Structures, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 461- 482
  • Diatonic Interval Cycles and Hierarchical Structure, Anno 1994, Winter, pp. 228-253

-CODE (D.L.), Observations in The Art of Speech: Paul Lansky’s Six Fantasies, Computer Music Forum, Anno 1990, Winter, pp. 144-169

-COENEN (A.), Stockhausen’s Paradigm: A Survey of His Theories, Anno 1994, Summer, pp. 200-226

-COFFLER (G.), Interview: William Thomas McKinley, Anno 1988, Summer, pp. 254-271

-COGAN (R.), Recent Book, Anno 1963, Spring, pp. 148 – 154

  • Toward a Theory of Timbre: Verbal Timbre and Musical Line in Purcell, Sessions, and Stravinsky, Anno 1969, Fall-Winter, pp. 75-81

-COGAN (R.), ESCOT (P.), Wilfrid Mellers’ Trial, and Ours, Anno 1965, Spring-Summer, pp.152-160

-COHEN (D.), Music From the “Radical Center”, Anno 1964, Fall-Winter, pp. 131-135

  • Anton Webern and the Magic Square, Anno 1974, Fall-Winter, pp. 213-215

-COHN (R.), Transpositional Combination of Beat-Class Sets in Steve Reich’s Phase-shifting Music, Anno 1992, Summer, pp. 146-177

-COLANNINO (J.), Analysis of emergent Beat-Class Sets in Steve Reich’s Clapping Music and the Yoruba Bell Timeline, Anno 2009, Winter, pp. 111-134

-COLLINS (D.), Ritual Sacrifice and the Political Economy of Music, Anno 1985, Fall-Winter, pp. 14-23

-CONE (E.T.), Stravinsky: The Progress of a Method, Anno 1962, Fall, pp. 18 – 26

  • A Budding Grove, pp. 38-46, Spring-Summer 1965
  • Toward the Understanding of Musical Literature, Anno 1965, Spring-Summer, pp.141-151
  • Conversation with Roger Sessions, Anno 1966, Spring-Summer, pp. 29-46
  • Beyond Analysis, Anno 1967, Fall-Winter, pp.33-51
  • Conversation With Aaron Copland, Anno 1968, Spring-Summer, pp.57-72
  • In Honor of Roger Sessions, Anno 1972, Spring-Summer, pp. 130-141
  • Editorial Responsibility and Schoenberg’s Atonal Music, Anno 1972, Fall-Winter, 65-76
  • Sound and Syntax: An Introduction to Schoenberg’s Harmony, Anno 1974, Fall-Winter, pp. 21-40
  • “Yet Once More, O Yet Laurels” , Anno 1976, Fall-Winter, pp. 294-307
  • In Memoriam R.H.S., Anno 1985, Spring-Summer, p. 123
  • Another Page from a Diary, Anno 1985, Spring-Summer, pp. 124-130

-CONSOLI (M.A.), Lauda, Anno 1985, Fall-Winter, pp. 305-309

-COPE (D.), Computer Analysis and Composition Using Atonal Voice-Leading Techniques, Anno 2002, Winter, pp. 121-146

-COPPOCK (J.), Ideas for a Schoenberg Piece, Anno 1975, Fall-Winter, pp. 3-85

  • Intonazione (from Arthur Berger’s Partita for Piano), Anno 1978, Fall-Winter, pp. 20-22
  • A Conversation with Arthur Burger, Anno 1978, Fall-Winter, pp. 40-67

-CORDERO (R.9, Three Miniminiatures for Ernst, Anno 1985, Fall-Winter, pp. 310-315

-CORNER (P.), Delicate Computations, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 473-489

-COSOTTINI (M.), Musical Research through Young Bodies, Anno 2008, Winter, pp. 61-74

-COSTA (R.), Free Musical Improvisation and the Philosophy of Gilles Deleuze, Anno 2011, Winter, pp. 127-142

-CRAMER (C.) Correspondences and Associations in Milton Babbitt’s Reflections, Anno 1988, Winter, pp. 144-207

-CRAFT (R.), The Rite of Spring: Genesis of a Masterpiece, Anno 1966, Fall-Winter, pp. 20-36

  • Stravinsky pre-centenary, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 464-477
  • Roland-Manuel and the Poetics of Music, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 487-505
  • On the Symphonies of Wind Instruments
    B. Toward Corrected Editions of the Sonata, Serenade and Concerto for Two Pianos
    C. The Chronology of the Octet, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 448-463

-CRONIN (T.), Afterword, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 206-215

-CROSS (L.), Electronic Music, 1948-1953 Anno 1968, Spring-Summer, pp. 32-65

-CUMMING (N.), The Horrors of Identification: Reich’s Different Train, Anno 1997, Winter, pp. 129-152

-CUMMINGS (C.), A Few Suggestion about Computer Music – Computer Music Conference in New York, 1980, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 442-450

-CURTAY (J.P.), Air Water Flash non verbal multimedia performance, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 273-274

-CUSICK (S.G.), Feminist Theory, Music Theory, and the Mind/Body Problem, Anno 1994, Winter, pp. 8-27

-CYR (G.C.), Roger Sessions at Berkeley: A Personal Reminiscence, Anno 1985, Spring-Summer, pp. 131-138

-DALLAPICCOLA (L.), Words of Music in Nineteenth-Century Italian Opera, Anno 1966, Fall-Winter, pp. 121-133

  • Notes for an Analysis of the Canti di Liberazione, Anno 2000, Winter, pp. 5-24

-DASHOW (J.), Looking into Sequence Symbols, Anno 1987, Winter-Summer, pp. 108-137

  • The Dyad System (Part One), Anno 1999, Winter, pp. 39-76
  • The Dyad system (Parts Two and Three), Anno 1999, Summer, pp. 189-231

-DAVALAN (J.P.), PERFECT Rhythmic Tilings, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 144-197

-DAVIDSON (L.), Lyric, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 256

-DAVIS (M.), More Multiple Order Function and Mallalieu-Related Rows, Anno 2009, Summer, pp. 100-148

-DAVIS (L. N.), Chemical Composition : Chrial Rows (Lactic #1), Anno 1984, Fall-Winter, pp. 108-111

-DEAN (J.), Schoenberg’s Vertical-Linear Relationships in 1908, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 173-180

-DECARSIN (F.), Metamorphoses of Invention, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 13-40

-DECKER (B.D.), Preserving the Fragment: franco Donatoni’s Late Chamber Style, Anno 2008, Summer, pp. 159-189

-DECROUPET (P.), Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 97-142

-DeFOTIS (W.), Berg’s Op. 5 : Rehearsal Instructions, Anno 1978, Fall-Winter, pp. 131-137

  • Letter to Michael Kowalski, Anno 1985, Spring-Summer, pp. 304-309
  • How De We Fit In?, Anno 1988, Summer, pp. 306-307
  • Excerpts from a Correspondence with Gaburo, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 62-77

-DELIO (T.), John Cage’s Variations II: the morphology of a global structure, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 351-372

  • Circumscribing the Open Universe, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 257-362
  • A Proliferation of Canons: Luigi Dallapiccola’s Goethe Lieder 2, Anno 1985, Spring-Summer, pp. 185-195
  • Response To Blaustein, Anno 1989, Winter, pp. 304-311
  • The Complexity of Experience, Anno 1993, Winter, pp. 64-77
  • Xenakis, In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 231-243

-DELLAIRA (M.), Some Recorded Thoughts on Recorded Objects, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 192-207

-DELLARIO (M.), “histori:, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 521-527

-DE LA VEGA (A.), Adramante, Anno 1985, Fall-Winter, pp. 316-323

– DEL TREDICI (D.), For Aaron, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 13-14

-DEMBSKI (S.), Misreading Martino, A Tribute to Donald Martino, Anno 1991, Summer, pp. 312-317

– DENCH (C.), Sulle Scale della Fenice: Postscript, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 100-105

-DERBY (R.), Carter’s Duo for Violin and Piano, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 149-168

-DESAIN (P.), Report on the First AIM Conference, Sankt Augustin, Germany, September 1988, Anno 1989, Summer, pp. 282-289

  • LISP as a Second Language: Functional Aspects, Computer Music Forum, Anno 1990, Winter, pp. 192-223

-DES MARAIS (P.), Ode, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.15-17

-DESSAU (P.), … a few remarks Schoenberg made to me…, Anno 1973, Spring-Summer, pp. 84-86

-DE VISSCHER (E.), Continuing the Experimental Tradition, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 490-492

– DEVOTO (M.), Reich Contra Berg, Anno 1966, Spring-Summer, pp. 150-156

  • Some Notes on the Unknown Altenberg Lieder, Anno 1966, Fall-Winter, pp.37-74
  • In Memoriam : Walter Piston, Anno 1977, Spring-Summer, pp. 243-244
  • Alban Berg’s “Marche Macabre”, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 386-448

-DeYOUNG (L.), Pitch Order and Duration Order in Boulez’ Structure Ia, Anno 1977, Fall-Winter, pp. 27-34

– DE ZEEUW (A.M.), An Interview with John Adams, Anno 1996, Summer, pp. 88-105

-DIAMOND (D.), a Roust , Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 18-19

  • Roger Sessions Remembered, Anno 1985, Spring-Summer, pp. 139-140

-DICKSON (S),  On Electronic Strings in Live Performance, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 623-639

-DIDOMENICA (B.), Thema Enigma, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 257

-DIRMEIKIS (P.), Tree Poems, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 41-52

– DI SCIPIO (A.), On Different Approaches to Computer Music as Different Models of Compositional Design, Anno 1995, Winter-Summer, pp. 360-403

  • Compositional Models in Xenakis’s Electroacustic Music, Anno 1998, Summer, pp. 201-243

-DOATI (R.), Symmetry, regularity, Direction, Velocity, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 61-86

-DOMINICK (L.R.), The Eighteen Annual Festival/Conference of The American Society of University Compsers : The Composer in the University Reexamined, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 378-392

  • Darmstadt 1984, Anno 1985, Spring-Summer, pp. 274-291

-DON (G.W.), Goethe, Boretz, and the „Sensuous Idea“, Anno 1996, Winter, pp. 124-139

-DONG (K.), Improvisation, Hetereophony, Politics, Composition: A Panel Discussion, Anno 2007, Summer, pp. 133-149

-DOUTHETT (J.), Uniform Triadic Transformations and the twelve-Tone Music of Webern, Anno 2008, Winter, pp. 91-151

-DOWNEY (J.), Texture as Psycho-Rhythmic, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 640-648

-DOWNIE (G.), Aesthetic Necrophilia: reification, new Music, and the Commodification of Affectivity, Anno 2004, Summer, pp. 264-275

  • Cultural Production as Self-Surveillance: Making the right Impression, Anno 2008, Winter, pp. 194-224

-DRABKIN (W.), The New Erläuterungsausgabe, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 319-330

-DROTT (E.), Lines, Masses, Micropolyphony: Ligeti’s Kyrie and the „Crisis of the Figure“, Anno 2011, Winter, pp. 4-46

-DRURY (S.), A View from the Piano bench, or, playing John Zorn’s Carny for Fun and Profit, Anno 1994, Winter, pp. 194-201

-DUBIEL (J.), Three Essays on Milton Babbitt, Anno 1990, Summer, pp. 216-261

  • Three Essays on Milton Babbitt (Part Two), Anno 1991, Winter, pp. 90-123
  • Three Essays on Milton Babbitt (Part Three), Anno 1992, Winter, pp. 82-131
  • Sense of Sensemaking, “…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 208-221

-DUISBERG (R.), On the Role of Affect in Artificial Intelligence, Anno 1984, Fall-Winter, pp. 6-37

-DUNCAN (S.P.), Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the “New Complexity”, Anno 2010, Winter, pp. 136-172

-DUNN (D.), Speculations: on the evolutionary continuity of music and animal communication behavior, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 87-102

  • Introductory Note, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 6-7

-DUNSBY (J.), Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Scönberg by Jan Maegaard, Anno 1977, Fall-Winter, pp. 177-196

-DUSMAN (L.), Unheard-of: Music as Performance and the Reception of the New, Anno 1994, Summer, pp. 130-147

-ECKERT (M.), Text and Form in Dallapiccola‘s Goethe-Lieder, Anno 1979, Spring-Summer, pp. 98-112

  • Luigi Dallapiccola: A Review of New Recordings, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 410-416

-EDGERTON (M.), Using Nonlinear Phonema in Contemporary Musical Composition and Performance, Anno 2003, Summer, pp. 30-65

-EDWARDS (A.), Willi Reich’s Alban Berg: Some Biographical and Critical Considerations, Anno 1966, Spring-Summer, pp. 157-160

-EDWARDS (P.I.), Object, Space, and fragility in Luigi Nono’s Das Atmende Klarsein, Anno 2008, Winter, pp. 225-243

-ESHLEMAN (C.), For a Friend, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 493-495

-ESTRADA (J.), Focusing on Freedom and Movement in Music: Methods of Transcription inside a Continuum of Rhythm and Sound, Anno 2001, Summer, pp. 70-91

-EISENBREY (K.E.), Timeshapes, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 649-650

-EISEMAN (D.), George Ives as Theorist : Some Unpublished Documents, Anno 1975, Fall-Winter, pp. 139-147

-ELSTER (S.), A Harmonic and Serial Analysis of Ben Johnston’s String Quartet No. 6, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp.138-165

-ELSTON (A.), The formal Structure of Opus 6, No. 1, Anno 1967, Fall-Winter, pp.63-66

-ENGLUND (A.), (Im)possibilities of Communication: Celan, Ruzicka, Dittrich, Anno 2008, Summer, pp. 5-32

-ENSLIN (M.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

-ERBER (J.), Flourish for solo flute, Anno 1993, Winter, pp. 78-79

-ERICKSON (R.), Composing Music, Anno 1988, Summer, pp. 86-95

-ESCOT (P), vedi WILCOX (H.), A Musical..

-ESTRADA (J.), The Radiance of Iannis Xeneakis (1922-2001), In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 215-230

  • Emanation of the Voice, Anno 2004, Summer, pp. 88-121

-EVANS (P.), Copland on the Serial Road: An Analysis of Connotations, Anno 1964, Spring-Summer, p.141 – 149

-FALCK (R.), Schoenberg’s (and Rilke’s) “Alle, welche dich suchen”, Fall-Winter – Anno 1974, Spring-Summer, pp. 87-98

-FAUSTY (E.), Three Texts, Anno 1985, Spring-Summer, pp. 102-104

  • Sight, Sound, and Vision: Reflections on a Multimedia Experience, Anno 1985, Spring-Summer, pp. 108-109

-FEIGIN (J.), In Memoriam-Roger Sessions, Anno 1985, Spring-Summer, p.141

-FELDER (D.), An Interview with Karlheinz Stockhausen, Anno 1977, Fall-Winter, pp. 85-101

-FELICE (J.), … for the 60th, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 258

-FENNELLY (B.), A Descriptive Language for the Analysis of Electronic Music, Anno 1967, Fall-Winter, pp.79-95

  • Monogram (Omaggio al Rovescio), For Richard Swift at 70, Anno 1997, Winter, pp. 49-52

-FERNEYHOUGH (B.), Shattering the Vassels of received Wisdom, (in conversation with James Boros), Anno 1990, Summer, pp. 6-51

  • Il Tempo della Figura, Anno 1993, Winter, pp. 10-19
  • The Tactility of Time, Anno 1993, Winter, pp. 20-31
  • Form, Figure, Style: An Intermediate Assessment, Anno 1993, Winter, pp. 32-41
  • Composing a Viable (if Transitory) Self, Anno 1994, Winter, pp. 114-132

-FINE (V.), For Aaron An Offering, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 20

  • Momenti (VI), Anno 1985, Spring-Summer, pp. 144-146

-FINNEY (R.L.), A Reminiscence, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.21

  • In Memoriam – Roger Sessions, Anno 1985, Spring-Summer, pp. 142-143

-FINNISSY (J.), New Perspectives on Old Complexity, Anno 1993, Winter, pp. 80-85

-FIORE (L.), Notes on Stuart Smith’s Return and Recall: A View From Within, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 290-302

-FISHER (A.), Unmasking Rigor: Composition, analysis, and the Poetry of Experience, Anno 1992, Summer, pp. 6-21

-FLETCHER (G.) Two Coriuos Pieces, Anno 1985, Fall-Winter, pp. 324-329

-FLINT (E.R.), Two recent Works on Iannis Xenakis, Anno 1988, Summer, pp. 308-317

-FOLIO (C.), The Synthesis of Traditional and Contemporary Elements in Joseph Schwantner’s Sparrows, Anno 1985, Fall-Winter,  pp. 184-197

-FONVILLE (J.), Ben Johnston’s Extended Just Intonation: A Guide for Interpreters, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 106-137

  • V. for Solo Trumpet, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 172-177

-FORTE (A.), Context and Continuity in an Atonal Work: A Set-theoretic Approach, Anno 1963, Spring, pp. 72 – 82

  • Sets and Nonsets in Schoenberg’s Atonal Music, Anno 1972, Spring-Summer, pp. 43-64
  • A Major Webern Revision and Its Implications for Analysis, Anno 1990, Winter, pp. 224-255

-FOSS (L.), The Changing Composer-Performer Relationship: A Monologue and a Dialogue, Anno 1963, Spring, pp. 45 – 53

  • Work-Notes for ECHOI, Anno 1964, Fall-Winter, pp. 54-61

-FOUCAULT (M.), Contemporary Music and the Public, Anno 1985, Fall-Winter, pp. 6-13

-FOWLER (M.), Finding Cage at Ryōan-ji Through a Re- Modelling of variations II, Anno 2009, Winter, pp. 174-192

-FRANCOIS (A.L.), Fakin’ It/Markin’ It: Falsetto’s Bid for Transcendence in 1970s Disco Highs, 442-457

-FRANCOIS (J.C.), The Dissimulated Voice, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.115 134.

  • Fixed Timbre, Dynamic Timbre, Computer Music Forum, Anno 1990, Summer, pp. 112-119
  • Organization of Scattered Timbral Qualities: A Look at Edgard Varèse’s Ionisation, Anno 1991, Winter, pp. 48-79
  • Writing without Representation, and Unreadable Notation, Anno 1992, Winter, pp. 6-21
  • Apolemology, Apamphlegmatic Pamphlet, Anno 1993, Summer, pp. 104-117
  • In Memoriam Keith Humble, Anno 1995, Winter-Summer, pp. 208-215

-FREY (J.M.), Elain Barkin: Active Participant, Anno 1993, Summer, pp. 252-263

-FRIGYESI (J.), Gyula Csapò, Handshake after Shot: Review Essay, Anno 2003, Summer, pp. 166-175

-FROMM (P.), Young Composers: Perspective and Prospect, Anno 1962, Fall, pp. 1 – 3

  • A Contemporary Role for American Music Libraries, Anno 1966, Spring-Summer, pp.140-143

-GABER (H.), Surfing is Harder than you Think, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 49-98

-GABURO (K.), Dwell, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 181-190

  • To One Of Those Who Do In Deed Leave Traces, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 107-134
  • Brain:…Half a Whole, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 215-257

-GABURO (V.H), Notes From Inside The Piano, Anno 1977, Fall-Winter, pp. 3-18

-GABURO (K.), LA, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 496-510

-GALAS (D.), Intravenal Song, Conference on the Oral Mode 1981/1982, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 59-67

-GALLOPE (M.), Is there a Deleuzian Musical Work?, Thousand Plateaus, Anno 2008, Summer, pp. 93-129

-GAMER (C.), Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter by Allen Edwards, Anno 1973, Spring-Summer, pp. 146-155

  • Piano Raga Music, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 191-230
  • Fanfares for the Common Tone, Anno 1976, Fall-Winter, pp. 229-235

-GANGOLLI (R.), Music and Mathematics, Anno 2007, Summer, pp. 51-56

-GANN (K.), La Monte Young’s Well Tuned Piano, Anno 1993, Winter, pp.134-163

-GANS (E.), Art and Entertainment, Anno 1985, Fall-Winter, pp. 24-37

  • The Beginning and End Of Esthetic Form, Anno 1991, Summer, pp. 8-21
  • Remarks on Originary Feminism, Anno 1994, Winter, pp. 86-89

-GARLAND (P.), The Fall of Quang Tri, A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 511

-GARTON (B.), The Elthar Program, Anno 1989, Winter, pp. 6-41

-GAULDIN (R.), Structure and Numerology in Stravinsky’s In Memoriam Dylan Thomas, Anno 1985, Spring-Summer, pp. 166-184

-GEHLHAAR (R.), Leap of Faith: A Personal Biography of Karlheinz Stackhausen’s Prozession, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 53-62

-GEORGE (R.), The Percussion Console, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 112-114

-GERHARD (R.), Schoenberg Reminiscences, Anno 1975, Spring-Summer, pp.57-66

-GERSTER (R.), By the Time We Got to Phoenix: Report on the 1985 A.S.U.C. National Conference, Anno 1985, Spring-Summer, pp. 292-303

-GHENT (E.), Programmed signals to Performers: A New Compositional Resource, Anno 1967, Fall-Winter, pp.96-106

-GIDEON (M.), In Memoriam – Roger Sessions, Anno 1985, Spring-Summer, p. 147

-GILBERT (J.), New Music and Myth : The Olympic Arts Festival of Contemporary Music, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 478-482

-GILBERT (M. K.), Relationships of Symmetrical Pitch-class Sets and Stravinsky’s Metaphor of Polarity, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 209-240

  • Reflections on Music Theory (Edited by), Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 560-630
  • In Counterpoint: two Stravinsky Books, Anno 1989, Winter, pp. 246-263
  • Feminist Theory and Music Conference, Minneapolis, June 1991: Questions on Ecstasy, Morality, Creativity, Anno 1992, Summer, pp. 240-243
  • Of Poestics and Poiesis, Pleasure and Politics – Music Theory and Modes Of Feminine, Anno 1994, Winter, pp. 44-67

-GILBERT (S. E.), “The Ultra-Modern Idiom”: A Survey of New Music, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 281-314

-GILMORE (B.), On  Harry Partch’s Seventeen Lyrics by Li-Po, Anno 1992, Summer, pp. 22-50

  • Changing the Metaphor: Ratio Models od Musical Pitch in The Work of Harry Partch, Ben Johnston, and James Tenney, Anno 1995, Winter-Summer, pp. 458-503

-GLASOW (G.), Quodlibet, Anno 1985, Fall-Winter, pp. 330-335

-GLEASON (S.), Interview with Adachi Tomomi, Anno 2008, Winter, pp. 75-90

-GOEHR (A.), The Theoretical Writings of Arnold Schoenberg, Anno 1975, Spring-Summer, pp. 3-16

-GOLDMAN (J.), Boulez and the Specialists between Descartes and Rameau: Who Said What about Whom?, Anno 2010, Summer, pp. 208-232

-GOLDMAN (R. F.), Henry Cowell (1897-1965): A Memoir and an Appreciation, Anno 1966, Spring-Summer, pp. 23-28

-GOLDSTEIN (B.), 1984 Contemporary Music Festival at CIA, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 471-477

-GOLDSTEIN (M.), The Politics of Improvisation, Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 79-91

  • Song of the Thundercloud/Rainbow, becoming, A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 512

-GOLEA (V.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 63-68

-GOLLIN (E.), On David Lewin’s “Projective Geometry” and the Aestetic of Variety, Anno 2004, Summer, pp. 6-11

-GOMEZ (F.), Analysis of emergent Beat-Class Sets in Steve Reich’s Clapping Music and the Yoruba Bell Timeline, Anno 2009, Winter, pp. 111-134

-GOODE (D.),  Antipathies II for Clarinet: “ Ken’s Clarinet Piece for Dan” by Kenneth Gaburo, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 170-179

-GOODHEART (M.), The “Giant Steps” Fragment, Anno 2001, Summer, pp. 63-95

-GOTTLIEB (J.), Leonard Bernstein: Kaddish Symphony, Anno 1965, Spring-Summer,  pp.171-175

  • Light and Splendour, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 22-30

-GOULD (M.), Balzano and Zweifel: Another Look at Generalized Diatonic Scales, Anno 2000, Summer, pp. 88-105

-GRAEBNER (E.), An Analysis of Schoenberg’s Klavierstück, Op. 33a, Fall-Winter – Anno 1974, Spring-Summer, pp. 128-140

-GRAHAM (S.), (Un)Popular Avant-Gardes: underground Popular Music and the Avant-Garde, Anno 2010, Summer, pp. 5-20

-GREENBAUM (M.), Stefan Wolpe’s Dialectical Logic: A look at the Second Piece for Violin Alone, Wolpe Centennial Essays, Anno 2002, Summer, pp. 91-114

-GRIGSBY (B.), Occam’s Razor, Anno 1985, Fall-Winter, pp. 336-356

-GROTHE (D.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

-GUCK (M.), Reflections on Music Theory (Edited by), Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 560-630

  • A Flow of Energy: Density 21.5
  • Varèse Bound, Anno 1992, Summer, pp. 244-273
  • The “Endless Round”, Anno 1993, Winter, pp. 306-315
  • A Woman’s (Theoretical) Work, Anno 1994, Winter, pp. 28-43

-GUNDEN (H.),  The Theory of Sonic Awareness in The Greeting by Pauline Oliveros, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 409-416

-HAEK (J.), Residue Cycles of Fibonacci Series Modulo m as tools for serial Composition, Anno 2008, Summer, pp. 33-58

-HADREAS (P.), Deconstruction and the Meaning of Music, Anno 1999, Summer, pp. 5-28

-HAGBERG (G.L.), Past Theory; A Review of A History of Western Musical Aestethics Anno 1995, Winter-Summer, pp. 614-625

-HAIMO (E.), Secondary and Disjunct Order-Position Relationships in Webern’s Op.20, Anno 1986, Spring-Summer, pp. 406-419

-HAIR (G.), vedi ARNOLD (S.), An Introduction…

-HALL (A. C.), A Composition of Manuscript and Printed Scores of Schoenberg’s Violin Concerto, Anno 1975, Fall-Winter, pp.182-196

-HAMEL (K.A.), A Design for Music Editing and Printing Software Based on Notational Syntax, Anno 1989, Winter, pp.70-83

-HAMILTON (I.), Reflections of a British Composer in America, Anno 1966, Fall-Winter, pp.134-138

-HAMMAN (M.), Form Technical to Technological: The Imperative of Technology in Experimental Music Composition, Anno 2002, Winter, pp. 92-120

-HANKINSON (A.), In Re : Collaboration, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 200-211

-HANNINEN (D.A.), On Association, realization, and Form in Richard Swift’s Things of August, For Richard Swift at 70, Anno 1997, Winter, pp. 61-114

  • Understanding Stefan Wolpe’s Musical Forms, Wolpe Centennial Essays, Anno 2002, Summer, pp. 6-67
  • Species Concepts in Biology and Perspectives on Association in Music Analysis, Anno 2009, Winter, pp. 5-68

-HANSEN (J.), BECOMING A Body Without Organs through Tuba Performance, Anno 2010, Winter, pp. 84-92

-HANTZ (E.C), Layer Analysis by Gerald Warfield, Anno 1977, Fall-Winter, pp. 237-246

-HARBISON (J.), Martin Boykan: String Quartet (1967): Two Views, Anno 1973, Spring-Summer, pp. 204-209

  • Six Tanglewood Talks (4,5,6), Anno 1985, Fall-Winter, pp. 46-61

-HARRIS (D.), Some Thoughts on the Teacher-Student Relationship between Arnold Schoenberg and Alban Berg, Anno 1977, Spring-Summer, pp. 133-144

  • A Birthday Card for Gunther, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 259

-HARRISON (L.), Gending/Sapphics in Leinster Ogam, A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 513

-HARTWELL (R.), Duration and Mental Arithmetic; The First Movement of Webern’s First Cantata, Anno 1984, Fall-Winter, pp. 348-359

-HARVEY (J.), four Envois, Anno 1993, Summer, pp. 132-135

-HASEGAWA (R.), Gegenstrebige Harmonik in the Music of Hans Zender, Anno 2011, Winter, pp. 207-234

-HASLER (J.F.W.), Generating Pitch Materia from the Magical Sigils of the Western Esoteric Tradition, Anno 2007, Summer, pp. 203-233

-HASTY (C.), Broken Sequences: fragmentation, Abundance, Beauty, Wolpe Centennial Essays, Anno 2002, Summer, pp. 155-173

-HASKINS (R.), Composition (Not Philosophy): James Pritchett’s The Music of John Cage, Anno 1996, Summer, pp. 216-223

-HATTEN (R.), Pluralism of Theatrical genre and Musical Style in Henze’s We Come to the River, Opera Today, Anno 1990, Summer, pp. 292-311

-HAUBENSTOCK-RAMATI (R.), Notations – Material and Form, Anno 1965, Spring-Summer, pp. 39-44

-HEADLAM (D.), The Derivation of Rows in Lulu, Anno 1985, Fall-Winter,  pp. 198-233

  • Row Derivation and Contour Association in Berg’s Der Wein, Anno 1990, Winter, pp. 256-293
  • George Perle: An Appreciation, Anno 2009, Summer, pp. 159-195

-HEISS (J.), Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 260

-HEISS (J. C.), For the Flute: A List of Double-Stops, Triple-Stops, Quadruple-Stops, and Shakes, Anno 1966, Fall-Winter, pp.139-141

  • The Flute: New Sounds, Anno 1972, Spring-Summer, pp. 153-158

-HELMUTH (M.), The 1990 International Computer Muisc Conference, Glasgow, Colloquy and Review, Anno 1991, Winter, pp. 312-319

-HENNESSY (J.), Beneath the Skin of Time: Alternative Temporalities in Grisey’s Prologue for solo Viola, Anno 2009, Summer, pp. 36-58

-HERD (J.A.), The Neonationalist Movement: Origins of Contemporary Japanese Music, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 118-163

-HERMANN (R.), Charlie Parker’s Solo to “ornithology”: Facets of Counterpoint, Analysis, and Pedagogy, Anno 2004, Summer, pp. 222-263

-HERZEL (H.), Using Nonlinear Phonema in Contemporary Musical Composition and Performance, Anno 2003, Summer, pp. 30-65

-HESS (R.), Stuart Sanders Smith’s Links No. 6 (Song Interiors): How Can I Tell What I Think Until I See What I Sing?, Anno 2009, Winter, pp. 211-232

-HESSE (H.P.), Breaking into a New World of Sound: Reflections on the Ekmelic Music of Austrian Composer Franz Richter Herf (1920-1989), Forum: Microtonality today (Part One), Anno 1991, Winter, pp. 212-235

-HIBBARD (A.), Improvisatory Word Piece on a Tape by Ben Boretz & J.K. Randall, Anno 1985, Spring-Summer, pp. 96-101

-HICKS (D.), 9/15/1980, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 2-3

  • A Report – Computer Music Conference in New York 1980, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 442-450
  • S. Monk, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 4-9
  • A Cross-Country Music Tour – New Music America, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 519

-HICKS (M)., Text, Music, and Meaning in Berio’s Sinfonia, 3rd Movement, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 199-224

  • Brave New Arts Festival 1984 – Urbana , Illinois: A Diary, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp.
  • Exorcism and Epiphany: Luciano Berio’s Nones, Anno 1989, Summer, pp. 252-269
  • Interval and Form in Ligeti’s, Continuum and Couléé, Anno 1993, Winter, pp. 172-191
  • Improvisation, Hetereophony, Politics, Composition: A Panel Discussion, Anno 2007, Summer, pp. 133-149

-HILLER ( L.), Automated Composition: An Installation at the 1985 International Exhibition in Tsukuba, Japan, Anno 1985, Spring-Summer, pp. 196-215

  • Jim Tenney at Illinois: A reminiscence, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 514-516

-HILLER (L.A.) & BARKER (R.A.), Computer Cantata: A Study in Compositional Method, Anno 1964, Fall-Winter, pp. 62 – 90

-HIRATA (C.C), The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman, Anno 1996, Winter, pp. 6-27

-HITCHCOCK (H. W.), A Footnote on Webern’s Variations, Anno 1970, Spring-Summer, pp. 118-122

  • Aaron Copland and American Music, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 31-33

-HOBBS (C.), Cardew As Teacher, Anno 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 2-3

  • Forum: Improvisation, (Edited by), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 26-111

-HODGKINSON (T.), On Listening, Anno 2010, Summer, pp. 152-179

– HOFFMANN (J.A.), A Conversation with Gunther Schuller, Anno 1986, Spring-Summer, pp. 242-249

  • Salute To G.S., Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 261

-HOFFMANN (R.), Webern: Six Pieces, Opus 6 (1909), Anno 1967, Fall-Winter, pp.75-78

-HOLLANDER (J.), Silence, by John Cage, Anno 1963, Spring, pp. 137 – 141

-HOMMEL (V.), Letter to an Arts Foundation, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 227-265

  • Soundings 10, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 507-511

-HONING (H.), Report on the First AIM Conference, Sankt Augustin, Germany, September 1988, Anno 1989, Summer, pp. 282-289

-HOOK (J.), Uniform Triadic Transformations and the  Twelve-Tone Music of Webern, Anno 2008, Winter, pp. 91-151

-HOOVER (M.), Set Constellations, Anno 1984, Fall-Winter, pp. 164-179

-HOWARD ( P.), Evryali: Beyond the Surface (What I Learned from Evryali, by Performing It), Anno 2004, Summer, pp. 144-157

-HOWE (H.), Some Combinational Properties of Pitch Structures, Anno 1965, Spring-Summer, pp. 45-61

  • Music and Electronics: A Report, Anno 1966, Spring-Summer, pp.68-77
  • Compositional Limitations of electronic Music Synthesizers, Anno 1972, Spring-Summer, pp. 120-129
  • Electronic Music: A Listener’s Guide by Elliot Schwartz, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 379-385
  • The 1974 ISCM World Music Days, Anno 1974, Fall-Winter, pp. 227-238
  • The 1975 ISCM World Music Days, Anno 1975, Spring-Summer, pp. 204-210
  • Electronic Music and Microcomputers, Anno 1977, Fall-Winter, pp. 70-84
  • 1984 ICMC, 19-23 October, Paris, France, Anno 1985, Spring-Summer, pp. 236-251

-HUBBS ( N.), The Fourteenth Annual New Music and Art Festival at BGSU: New Music on Its Own Terms, Anno 1994, Summer, pp. 304-313

-HUMPHREYS (P.), The Flowering of Gending Agbekor: A Musical Collaborations with I Dewu Putu Berata, Anno 2001, Summer, pp. 5-28

-HUSH (D.), Asynordinate Twelve-Tone Structures : Milton Babbitt’s Composition for Twelve Instruments (Part One), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 152-208

  • Asynordinate Twelve-Tone Structures : Milton Babbitt’s Composition for Twelve Instruments (Part Two), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 103-116

-HUTCHINSON (W.), Explaining Music by Leonard B. Meyer, Anno 1975, Spring-Summer, pp. 162-165

-IMBRIE (A.), Roger Sessions: In Honor of His Sixty-fifth Birthday, Anno 1962, Fall, pp. 117 – 148

  • Remembering Roger, Anno 1985, Spring-Summer, pp. 148-151

-INFANTI ( A.), Without Fooling the Bird: Structural Anthropology and the “Naturalist” Music of F.-B. Mâche, Anno 2004, Winter, pp. 4-31

-IRLANDINI (L.A.), Messiaen’s Gagaku, Anno 2010, Summer, pp. 193-207

-ISAACSON (E.J.), The Interval Angle: A Similarity Measure for Pitch-Class Sets, Anno 1998, Summer, pp. 107-142

-JACKENDOFF (R.), Discovery Procedures vs. Rules of Musical Grammar, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 503-510

-JAFFE (D.A.), Impossible Animals: Notes on Birds and Musical Style, Anno 1995, Winter-Summer, pp. 604-613

-JANZEN (R.M.), A Biographical Chronology of jean Barraqué, Anno 1989, Winter, pp. 234-243

-JARMAN (D.), Dr. Schön’s Five-Strophe Aria: Some Notes on Tonality and Pitch Association in Berg’s Lulu, Anno 1970, Spirng-Summer, pp. 23-48

-JARVLEPP (J.), Conlon Nancarrow’a Study #27 for Player Piano viewed analytically, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 218-222

-JEFFERS (R.), Letters Gaburon, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 141-159

-JEMIAN (R.), An Interview with John Adams, Anno 1996, Summer, pp. 88-105

-JENSEN (M.), Composing DNA Music Within the Aesthetics of Chance, Anno 2008, Summer, pp. 243-259

-JOHNS (E.), Footnote to Futurism (for Aaron), Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.34

-JOHNSON (M.K), A Mathematical Model for Optimal Tuning Systems, Anno 2009, Winter, pp. 69-110

-JOHNSON (P.),  Symmetrical Sets in Webern’s op. 10, No. 4, Anno 1978, Fall-Winter, pp. 219-229

-JOHNSON (S.), Listening to The Eskimos of Hudson Bay and Alaska, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 24-25

  • Rothko Chapel and Rothko’s Chapel, Anno 1994, Summer, pp. 6-53

-JOHNSON (T.), Tiling in my Music, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 9-22

– JOHNSON (W. M) JR., Time-point Sets and Meter, Anno 1984, Fall-Winter, pp. 278-297

-JOHNSTON (B.), Letter From Urbana, Anno 1963, Fall-Winter, pp. 137 – 141

  • Scalar Order as a Compositional Resource, Anno 1964, Spring-Summer, pp. 56 – 76
  • Proportionally and Expanded Musical Pitch Relations, Anno 1966, Fall-Winter, pp. 112-120
  • The Corporealism of Harry Partch, Anno 1975, Spring-Summer, pp. 85-97
  • Beyond Harry Partch, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 223-232
  • Extended Just Intonation: A Position Paper, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 517-519
  • S.U.C. Keynote Address, Being a Composer in America, Anno 1988, Winter, pp. 236-242
  • Quietness, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 178-183

-JOHNSTON (K.), Musical essence and Perception, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 333-350

-JOLAS (B.), A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30

-JONES (D.E.), Compositional Control of Phonetic/Nonphonetic Perception, Anno 1987, Winter-Summer, pp. 138-155

  • Speech Extrapolated, Computer Music Forum, Anno 1990, Winter, pp. 112-143

-JONES (E.), Residue-Class Sets in the Music of Iannis Xeneakis: An Analytical Algorithm and General Intervallic Expression, Anno 2001, Summer, pp. 229-261

-JONES (P.), A Bibliography of the Writings by Arthur Berger, Anno 1978, Fall-Winter, pp. 83-89

-JONES (R.F.), A List of Works by Arthur Berger, Anno 1978, Fall-Winter, pp. 90-91

-KAKINUMA (T.), Composing for an Ancient Instrument that Has Lost Its “Tradition”: Lou Harrison’s Set for Four Haisho and Percussion, Anno 2011, Summer, pp. 232-261

-KALETHA (H.), Decomposition of the Sound Continuum: Serialism and development from a Generic-phenomenological Perspective, Anno 2004, Winter, pp. 84-129

-KAM (D.), One Possibility Emerging, Anno 1985, Fall-Winter, pp. 357-359

-KANACH (S.), Xenakis’s Hand, or The Visualization of the Creative Process, Anno 2002, Winter, pp. 190-197

  • The Writing of Iannis Xenakis (Starting with Formalized Music), In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp. 154-167

-KAPLAN (L.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 63-68

-KARPEN (R.), The 1989 International Computer Music Conference: An Overview of the Concerts, Anno 1990, Winter, pp. 336-343

-KARCHIN (L.),  Fanfare for Marty, Martin Boykan Festschrift, Anno 2000, Summer, pp. 195-198

-KARPMAN (L.), An Interview with Milton Babbitt, Anno 1986, Spring-Summer, pp. 80-87

-KASSLER (M.), A Sketch of the Use of Formalized Languages for the Assertion of Music, Anno 1963, Spring, pp. 83 – 94

  • Musiques formelles, by Iannis Xenakis, Anno 1964, Fall-Winter, pp. 115 – 118
  • Toward Musical Information Retrieval, Anno 1966, Spring-Summer, pp. 59-67
  • Arnold Schoenberg: A Perspective, by Glenn Gould, Anno 1966, Fall-Winter, pp.161-162
  • Toward a Theory That is the Twelve-Note-Class System, Anno 1967, Spring Summer, pp. 1-80
  • The Decidability of languages that Assert Music, Anno 1976, Fall-Winter, pp.259-251

– KAUTZENBACH (G.), Composer, Performer, and Marx, Anno 1977, Fall-Winter, pp. 197-204

-KAYDEN (M.), L’hommage et collage, Anno 1988, Winter, pp. 306-322

-KEEFE (D.), Two New Books on Computer Music and Digital Audio, Anno 1986, Spring-Summer, pp. 428-433

-KELLER (H.), Schoenberg: The Future of Symphonic Thought, Anno 1974, Fall-Winter, pp. 3-20

-KEILER (A.R.), Replay, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 511-516

-KEISLAR (D.), Introduction, Forum: Microtonality today (Part One), Anno 1991, Winter, pp. 172-175

  • Six American Composers on Nonstandard Tunings, Forum: Microtonality today (Part One), Anno 1991, Winter, pp. 176-211

-KILLAM (R.N.), Women Working: An Alternative to Gans, Anno 1993, Summer, pp. 230-251

  • Writing Music Culture for Calamity Jane, Water, and Other Dangerous Women (with Minimal Apologies to Clifford and Lakoff), Anno 1994, Summer, pp. 194-199

-KIMBALL (S), Three Texts, Anno 1985, Spring-Summer, pp. 102-104

  • What, Anno 1985, Spring-Summer, pp. 105-107

-KINGMAN 8D.), Every New Wave must Break on Some Shore, Anno 1989, Winter, pp. 124-127

-KIRCHNER (L.), For Aaron, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.35

-KIRKPATRICK (J.), The Evolution of Carl Ruggles, Anno 1968, Spring-Summer, pp. 146-166

-KLUMPENHOUWER ( H.), Aspects of Row Structure and Harmony in Martino’s Impromptu Number 6, A Tribute to Donald Martino, Anno 1991, Summer, pp. 318-355

-KNOWLES (A.),  Landscape, A Tribute to James Tenney, Anno 1987, Winter-Summer, p. 520

-KOBRIN (E. G.), ASHFORD (T. H.), A solution to the Problems of Vertical Serialization, pp. Anno 1968, Spring-Summer 119-124

-KOHL (J.), Exposition in Stravinsky’s Orchestral Variations, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 391-406

  • The Evolution of Macro- and Micro-time Relations in Stockhausen’s Recent Music, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 147-186
  • Stockhausen at La Scala : Semper idem sed non eodem modo, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 483-501
  • Into the Middleground: Formula Syntax in Stockhausen’s Licht, Opera Today, Anno 1990, Summer, pp. 262-291
  • Guest Editor’s Introduction, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 59-64
  • Guest Editor’s Introduction, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 5-12
  • Guest Editor’s Introduction, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 91-96
  • Four Recent Books on Stockhausen, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 213-245

-KOHN (K.), Richard Swift, Concerto, Anno 1963, Fall-Winter, pp. 90 – 101

  • The Naked Humanoid, Being a Composer in America, Anno 1988, Winter, pp. 226-235
  • Wople and the Poests of Black Mountain, Wolpe Centennial Essays, Anno 2002, Summer, pp. 134-154

-KOHS (E.B.), Canon IV, Being a Composer in America, Anno 1988, Winter, pp.224-225

-KOIVISTO (T.), Syntactical Space and Registral Spacing in Elliott Carter’s Remembrance, Anno 2004, Summer, pp. 158-189

-KOLMAN (O.), Transfer Principles for Generalized Interval Systems, Anno 2004, Winter, pp. 150-191

KOMPRIDIS (N.), Learning from Architecture: Music in the Aftermath to Postmodernism, Anno1993, Summer, pp. 6-23

-KONTARSKY (A.), Notation for Piano, Anno 1972, Spring-Summer, pp. 72-91

-KOOZIN (T.), Octatonicism in Recent Solo Piano Works of Tōru Takemitsu, Anno 1991, Winter, pp. 124-141

-KOSTELANETZ (R.), Excerpts From Texts and Proposal for Radio (In Progress Through the 1980s), Anno 1984, Fall-Winter, pp. 44-85

  • (produced by), His own Music (Part I: To 1970), Ur-Conversation with Jhon Cage, Anno 1987, Winter-Summer, pp. 88-107
  • Notes on Milton Babbitt as Text-Sound Artist, Babbitt: a 70th Birthday, Part 2, Anno 1987, Winter-Summer, pp. 280-285
  • (produced by) His own Music (Part II. After 1970), Ur-Conversation with Jhon Cage, Anno 1988, Winter, pp. 26-49
  • The Discovery of Alternative Theatre: Notes on Art Performances in New York City in the 1960s and 1970s, Anno 1989, Winter, pp. 128-173
  • Interview with Tony Schwartz, American Hörspielmacher, Anno 1996, Winter, pp. 56.65

-KOWALKOWSKI (J.), Techniques for Thwarting Hegemony: Anticommunication and Gesture-Inhibiting Musical Material as Compositional resource in the Music of Herbert Brün, Anno 2008, Summer, pp. 237-242

-KOWALSKI (D.), The Construction and Use of Self-Deriving Arrays, Anno 1987, Winter-Summer, pp. 286-361

-KOWALSKI (M.), The Exhaustion of Western Art Music, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 1-14

-KRAFT (L.), The Death of Klinghoffer, Anno 1992, Winter, pp. 300-303

-KRAMER (J. D.), Multiple and Non-Linear Time in Beethoven’s Opus 135, Anno 1973, Spring-Summer, pp. 122-145

  • Karlheinz in California: A Personal Reminescence, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 247-261

-KRENEK (E.), A Composer’s Influences, Anno 1964, Fall-Winter, pp. 36 – 41

  • Atonality Retroactive, Anno 1963, Fall-Winter, pp. 133 – 136
  • Tradition in Perspective, Anno 1962, Fall, pp. 27 – 38
  • Some Current Terms, Anno 1966, Spring-Summer, pp. 81-84
  • America’s Influence on its Émigré Composers, Anno 1970, Spring-Summer, pp. 112-117

-KRESKY (J.), A Path Through Density, Anno 1984, Fall-Winter, pp. 318-333

  • What’s on the Horizon?, Anno 1986, Spring-Summer, pp. 434-438

-KRIMS (A.), Some Analytical Comments on Text and Music in Martino’s “Alone”, A Tribute to Donald Martino, Anno 1991, Summer, pp. 356-381

-KUHN (L.), “- ISMS” (New York: “ Horizons ‘83”), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 402-406

  • And the Winner Is … New Music America ’85, los Angeles, October 31 – November 11, 1985, Anno 1985, Fall-Winter, pp. 434-439

-KUTSCHKE (B.), Improvisation: An Always-Accessible Instrument of Innovation, Anno 1999, Summer, pp. 147-162

-KUZELL (C.), Proton 2, Anno 1985, Fall-Winter, pp. 360-366

-KYR (R.), Point/Counter-Point: Donald Martino’s Radical Statement of Mind and Soul, A Tribute to Donald Martino, Anno 1991, Summer, pp. 382-393

-LAI (E.), Modal Formations and Transformations in the First Movement of chou Wen-chung’s Metaphors, Anno 1997, Winter, pp. 153-186

-LAKE (W.), The Architecture of a Superarray Composition: Milton Babbitt’s String Quartet No. 5, Anno 1986, Spring-Summer, pp. 88-111

-LAMBERT (P.), On Contextual Transformations, Anno 2000, Winter, pp. 45-76

-LAMPERT (M.R.), Environment, Consciousness, and Magic: An Interview with David Dunn, Anno 1989, Winter, pp. 94-105

-LANGE (B.R.), The Politics of Collaborative Performance in the Music of Pauline Oliveros, Anno 2008, Winter, pp. 39-60

– LANSKY (P.), vedi GAMER (C.), Fanfares..

  • Pitch-Class Consciousness, Anno 1975, Spring-Summer, pp. 30-56
  • Some NeXT Perspectives (Part One), Anno 1989, Summer, pp. 270-281
  • Some NeXT Perspectives (Part Two), Computer Music Forum, Anno 1990, Winter, pp. 170-179
  • A View from the Bus: When Machines Make Music, Computer Music Forum, Anno 1990, Summer, pp. 102-111

-LARSON (S.), A Tonal Model of an “Atonal” Piece: Schönberg’s Opus 15, Number 2, Anno 1987, Winter-Summer, pp. 418-433

-LARSON (T.), Unanswering the Question, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 363-405

-LASH (D.), Derek Bailey’s Practice/Practise, Anno 2011, Winter, pp. 143-171

-LASKE (O.), In Search of a Generative grammar for Music, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 351-378

  • Toward a Musicology for the Twentieth Century, Anno 1977, Spring-Summer, pp.220-225
  • Comments on the First Workshop on A.I. and Music, 1988 AAAI Conference, St. Paul, Minnesota, Anno 1989, Summer, pp. 290-299

-LAUFER (E. C.), Roger Sessions: Montezuma, Anno 1965, Spring-Summer, pp.95-108

  • Schoenberg: Three Unpublished Letters, Anno 1972, Fall-Winter, pp. 13-42

-LAUGESEN (E.S.), June in Rochester: Feminist Theory and Music II: A Continuing Dialogue, 17-20 June 1993, Anno 1994, Summer, pp. 300-303

-LAWRENCE (J.), Three Texts, Anno 1985, Spring-Summer, pp. 102-104

-LEBARON (A.), Darmstadt 1980, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 420-441

-LE CAINE (H.), CIAMAGA (G.), A Preliminary Report on the serial Sound of Structure Generator, Anno 1967, Fall-Winter, pp. 114-118

-LEDERMAN (M.), To Aaron at Eighty, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.36-39

-LEEDY (D.), A Venerable Temperament Rediscovered, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 202-211

-LEONARDI (G.), Inori: Microcosm/Macrocosm Relationships and a Logic of Perception, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 63-90

-LEPENDORF (J.), Contemporary Notation for Shakuhachi, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 232-251

-LERDAHL (F.), vedi JACKENDOFF (R.), Discovery…

  • Tonality and Paranoia: A Replay to Boros, Anno 1996, Winter, pp. 242-251

-LESTER (J.), Pitch Structure Articulation in the Variations of Schoenberg’s Serenade, Anno 1968, Spring-Summer, pp. 22-34

  • Notated and Heard Meter, Anno 1986, Spring-Summer, pp. 116-129

-LEVY (A.), Democracy Performed – Setting the Record Straight: A Critical Response to Performing Democracy – Bulgarian Music and Musicians in Transition by Donna Buchanan, Anno 2009, Summer, pp. 149-158

-LEVY (B.), Shades of the Studio: Electronic Influences on Ligeti’s Apparitions, Anno 2009, Summer, pp. 59-87

-LEVY (E.), Stefan Wolpe: (for his sixtieth birthday), Anno 1963, Fall-Winter, pp. 51 – 65

-LEWIN (D.), A Theory of Segmental Association in Twelve-Tone Music, Anno 1962, Fall, pp. 89

  • Two Schoenberg Studies. Moses und Aron: Some general Remarks, and Analytic Notes for Act I, Scene I, Anno 1967, Fall-Winter, pp.1-17
  • A Study of Hexacord Levels in Schoenberg’s Violin Fantasy, Anno 1967, Fall-Winter, pp.18-32
  • Inversional Balance as an Organizing Force in Schoenberg’s Music and Thought, pp. 1-21
  • Behind the Beyond: A Response to Edward T. Cone, Anno 1969, Fall-Winter, pp. 59-69
  • Toward the Analysis of a Schoenberg Song (Op. 15, No. XI), Fall-Winter – Anno 1974, Spring-Summer, pp. 43-86
  • On Partial Ordering, Anno 1976, Fall-Winter, pp. 252-259
  • Some New Constructs Involving Abstract PCSets and Probabilistic Applications, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 433-444
  • A Response to a Response: On PCSet Relatedness, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 498-502
  • Transformational Techniques in Atonal and Other Music Theories, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 312-371
  • Studying with Roger, Anno 1985, Spring-Summer, pp. 152-154
  • Some Compositional Uses of Projective Geometry, Anno 2004, Summer, pp. 12-65

-LEWIS (R.H.), new music Festival 1985: Bowling Green State University, Anno 1985, Fall-Winter, pp. 440-443

-LEYDON (R.), The Soft-Focus Sound: reverb as a Gendered Attribute in Mid-century Mood Music, Anno 2001, Summer, pp. 96-107

-LIEBERSON (P.), Don – A Reminiscence and an Appreciation, A Tribute to Donald Martino, Anno 1991, Summer, pp. 394-397

-LIGETI (G.), On Music and Politics, Anno 1977, Fall-Winter, pp. 19-24

  • States, Events, Transformation Interval and Form in Ligeti’s, Anno 1993, Winter, pp. 86-133

-LINK (S.), Much Ado about Nothing, Anno 1995, Winter-Summer, pp. 216-273

-LOCHHEAD (J.), Joan Tower’s Wings and Breakfast Rhythms I and II : Some Thoughts on Form and Repetition, Anno 1992, Winter, pp. 132-157

-LOCKWOOD (L.), Musicology, by Harrison, Hood, and Palisca, Anno 1964, Fall-Winter, pp. 119-126

-LOFTHOUSE (M.), Having your Cake and Eating It Too: The Property of Reflection in Twelve-Tone Rows (Or, Futher Extensions on the Mallalieu Complex), Anno 2002, Summer, pp. 233-274

-LOMBARDI (L.), Construction of Freedom, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 253-264

-LONDON (E.), Choruses for Sal, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp.184-189

– LOY (G.), The Composer Seduced into Programming, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 184-199

-LUCIER (A.), Homage to James Tenney, A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 521-527

-LUKOMSKY (V.), Sofia Gubaidulina: “My Desire Is Always to rebel, to Swim against the Stream!”, Anno 1998, Winter, pp. 5-42

-MAC INNIS (D.), Sound Synthesis by Computer: MUSIGOL, a Program Written Entirely in Extended ALGOL, Anno 1968, Spring-Summer, pp. 66-79

-MACONIE (R.), Stockhausen’s Mikrophonie I, Anno 1972, Spring-Summer, pp. 92-101

-MACKAY (J.), The Orality Perspective, Conference on the Oral Mode 1981/1982, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 68-74

  • On The Music of Robert Erickson: A survey and Some Selected Analyses, Anno 1988, Summer, pp. 56-85

-MACKEY (S.), …what surfaces, Babbitt: a 70th Birthday, Part 2, Anno 1987, Winter-Summer, pp. 258-279

  • It’s Good To Be Back, for electric guitar, A Tribute to Donald Martino, Anno 1991, Summer, pp. 482-489

-MAGRIL (S.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

  • Dao Song : Instructions, Anno 1984, Fall-Winter, pp. 86-97
  • Dao Song : Report to the National Endowment for the Arts, Anno 1984, Fall-Winter, pp. 134-143

-MAGUIRE (J.), René Leibowitz, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 241-256

-MAHLER (D.), Rag of Hearts, Anno 1987, Winter-Summer, pp. 528-533

-MAIBEN (W.), Perspectives (No. 2 for Piano), Anno 1979, Spring-Summer, pp. 269-273

  • A Tombeau for Jhon Lennon, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 532-535

-MANDELBAUM (J.), Toward the Expansion of Our Concepts of Intonation, Anno 1974, Fall-Winter, pp. 216-226

-MANERI (J.G.), A Conversation with Gunther Schuller, Anno 1986, Spring-Summer, pp. 242-249

  • Violin Piece for Gunther, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 266

-MANN (C.), Dear Kenneth, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 8-9

-MAREN (R.), A Year From Monday, by John Cage, Anno 1968, Spring-Summer, pp.182-184

-MARGOLIN (A.), From a Coign of the Realm / A Possible Subset of Omega, Anno 1979, Spring-Summer, pp. 225-250

  • Mozart’s D major String Quintet, k 593 2nd movement mm 54-56, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp.381-390
  • Conversation with Alvin Lucier, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 50-58
  • From a Mozartian Dialectic, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 414-432
  • Language, Thought, and the Talents of Species, Anno 1985, Spring-Summer, pp.64-71

-MARINO (G.), The UPIC System: Origins and Innovations, Anno 1993, Winter, pp. 258-269

-MARSHAL (D.), Charles Ives’s Quotations: Manner or Substance?, Anno 1968, Spring-Summer, pp. 45-56

-MARKS (K.), The interior Monologue in Earl Kim’s Violin Concerto, Anno 1996, Summer, pp. 106-131

– MARTIN (H.), Modes of Explanation in Analytical Discourse, Anno 1977, Spring-Summer, pp.174-193

  • Beyond Schenkerism by Eugene Narmour, Anno 1978, Fall-Winter, pp. 196-210
  • Horizons ’84, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 514-518
  • Seven Steps to Haeven: A Species Approach to Twentieth-Century Analysis and Composition, Anno 2000, Winter, pp. 129-168

-MARTIN (R. M.), On the Proto-Theory of Musical Structure, Anno 1970, Fall-Winter, pp. 74-95

-MARTIN STROH (W.), Schoenberg’s Use of Text: The text as a Musical Control in the 14th Georgelied, Op. 15

  • Alban Berg’s “Constructive Rhythm”, Anno 1968, Spring-Summer, pp. 18-31

-MARTINO (D.), Claudio Spies, Tempi, Anno 1964, Spring-Summer, pp. 112 – 124

  • Notation in General-Articulation in Particular, Anno 1966, Spring-Summer, pp.47-58

-MAC IVOR PERKINS (J.), Arthur Berger: The Compose as Mannerist, Anno 1966, Fall-Winter, pp. 75-92

MATHEWS (M. V.), Graphical Language for the Scores of Computer-Generated Sounds, Anno 1968, Spring-Summer, pp. 92-118

  • Some Recollections of James Tenney, Anno 1987, Winter-Summer, pp. 534-535

-MAUCERI (F.X.), From Experimental Music to Musical Experiment, Anno 1997, Winter, pp. 187-204

-MAUS (F.E.), Recent Ideas and Activities of James K. Randall and Benjamin Boretz: A New Social Role for Music, Anno 1988, Summer, pp. 214-223

  • Masculine Discourse in Music Theory, Anno 1993, Summer, pp. 264-293
  • A Conversation about Feminism and Music, Anno 1994, Summer, pp. 174-193

-MAXILE (H.J.) JR., Hale Smith’s Evocation: The Interaction of Cultural Symbols and Serial Composition, Anno 2004, Summer, pp. 122-143

-McALLESTER (D.P), new Perspectives in Native American Music, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 433-447

-McCARTY (F. L.), Electronic Music Systems: Structure, Control, Product, Anno 1975, Spring-Summer, pp. 98-125

-McCLARY (S.), A Response to Elaine Barking, Anno 1992, Summer, pp. 234-239

  • paradigm Dissonances: Music Theory, Cultural Studies, Feminist Criticism, Anno 1994, Winter, pp. 68-85
  • Response to Linda Dusman, Anno 1994, Summer, pp. 148-173

-MC ELHERAN (B.), Preparing Stockhausen’s Momente, Anno 1965, Spring-Summer, pp. 33-38

-McGREGOR  (R.), Reading the Runes, Anno 2000, Summer, pp. 5-29

-McIRVINE (E.), Hans Werner Henze – Music and Politics : Collected Writings 1953-1981, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 545-548

-McKINLEY (W. T.), Bagatelle, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, pp. 262-265

-McLEAN (B.),  Symbolic Extension and its Corruption of Music, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 331-356

-McLEAN (P.), Fire and Ice : A Query, Anno 1977, Fall-Winter, pp. 205-211

-McMILLIAN (F. L.), I was A Music Department Stowaway: A Response To Malcom Goldstein, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 639-641

-MEAD (A.), Large-Scale Strategy in Arnold Schoenberg’s Twelve-Tone Music, Anno 1985, Fall-Winter,  pp. 120-157

  • About About Time’s Time: A Survey of Milton Babbitt’s Recent Rhythmic Practice, Milton Babbitt: a 70th Birthday, Part 2, Anno 1987, Winter-Summer, pp. 182-235
  • Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One, Anno 1988, Summer, pp. 96-163
  • Some Implications of the Pitch-Class/Order-Number Isomorphism Inherent in the Twelve-Tone System: Part Two: the Mallalieu Complex: Its Extensions and Related Rows, Anno 1989, Winter, pp. 180-233
  • Review of Robert D. Morris, composition with Pitch-Classes, Colloquy and Review, Anno 1991, Winter, pp. 264-311
  • On Tempo Relations, Anno 2007, Winter, pp. 64-109
  • Looking Back: Lesson Learned About Tonal Music from a Post-Tonal Perspective, Anno 2009, Summer, pp. 5-35

-MEAD (A.W.) Pitch Structure in Elliott Carter’s String Quartet #3, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 31-60

-MELBY (J.), Sal’s G. A., In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 190-199

-MEYER (N.), An Interview with Struart Dempster and William O. Smith, Anno 1986, Spring-Summer, pp. 190- 223

-MILLER (P.),  Music and the Silent Film, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 582-584

-MILES (S.), Objectivity and Intersubjectivity in Pauline Oliveros’s Sonic Meditation, Anno 2008, Winter, pp. 4-38

-MISCH (I.), On The Serial Shaping of Stockhausen’s Gruppen für drei Orchester, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 143-188

-MITRO (G.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

-MIKI (M.), The Role of Traditional Japanese Instruments in Three Recent Operas, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 164-175

-MIRANDA (E.R.), A Computational Model for Rule-Based Microtonal Music Theories and Composition, Anno 2010, Summer, pp. 47-77

-MIZELLE (D.J.), Transforms for Piano, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 140-147

-MONAHAN (G.), Some Recollections of James Tenney, Anno 1987, Winter-Summer, p. 536

-MOEVS (R.), Intervallic Procedures in Debussy: Serenade from the Sonata for Cello and Piano, 1915, Anno 1969, Fall-Winter, pp. 82-101

-MOLLIA (M.), “ From Silence toward a New Sonours World” (Franco Evangelisti, 1926-1980), Anno 1979, Spring-Summer, pp. 14-16

  • Giacinto Scelsi: (Ohne Titel), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 265-272

-MOORE (F.R.), The Futures of Music, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 212-226

-MOREHEAD (P.), Analysis of Form for piano by Ralph Shapey, Wolpe Centennial Essays, Anno 2002, Summer, pp. 68-79

-MORGAN (C.),  More Multiple Order Function and Mallalieu-Related Rows, Anno 2009, Summer, pp. 100-148

-MORGAN (R. P.), Edward T. Cone: String Sextet, Anno 1969, Fall-Winter, pp. 112-125

  • Remembering Seymour Shifrin (1926-1980), Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 305-309

-MORRIS (R.), vedi STARR (D.), A General Theory…

  • A Similarity Index for Pitch-Class Set, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 445-460
  • Combinatorality Without the Aggregate, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 432.486
  • Set-type Saturation Among Twelve-tone Rows, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp.187-217
  • The 1987 International Computer Music Conference: A Review, Anno 1988, Winter, pp. 288-305
  • Compositional Spaces and Other Territories, Anno 1995, Winter-Summer, pp. 328-359
  • Not Only Rows in Richard Swift’s Roses Only, For Richard Swift at 70, Anno 1997, Winter, pp. 13-48
  • A Footnote to Hasty, Whtehead and Plato: More Thoughts on Stefan Wolpe’s Music, Wolpe Centennial Essays, Anno 2002, Summer, pp. 183-189
  • Pitch-Class Duplication in Serial Music: Partitions of the Double Aggregate, Anno 2003, Summer, pp. 96-121
  • The Survival of Music: Musical Citizenship in South India, Anno 2004, Summer, pp. 66-87
  • Mathematics and the Twelve-Tone System: Past, Present, and Future, Anno 2007, Summer, pp. 76-107

-MORRISON (C. D.), Stepwise Continuity as a Stuctural Determinant in György Ligeti’s Ten Pieces for Wind Quintet, Anno 1985, Fall-Winter,  pp. 158-183

-MOSS (L.), George Perle: String Quintet, Anno 1964, Fall-Winter, pp. 136 – 138

  • Toward a New Theater, Anno 1969, Fall-Winter, pp. 102-105

-MOTYCKA (S.), On Kenneth Gaburo’s LINGUA I: POESIES, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 99-106

-MUMFORD (J.), A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30

-MURPHY (S.), A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki, Anno 2007, Winter, pp. 184-223

-MYERS (G.), Democracy Performed – Setting the Record Straight: A Critical Response to Performing Democracy – Bulgarian Music and Musicians in Transition by Donna Buchanan, Anno 2009, Summer, pp. 149-158

-NATHAN (H.), On Dallapiccola’s Working Methods, Anno 1977, Spring-Summer, pp. 34-57

-NAUERT (P.), A Theory of Complexity to Constrain the Approximation of Arbitrary Sequences, Anno 1994, Summer, pp. 226-263

  • Field Notes: A Study of Fixed-Pitch Formations, In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp. 180-239

-NELSON (M.), Two Cassette Reviews, Anno 1985, Fall-Winter, pp. 444-449

-NELSON (M. D.), Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ The Fourth of July, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 353-385

-NELSON (R. U.), Webern’s Path to the Serial Variation, Anno 1969, Fall-Winter, pp. 73-93

-NEUBAUER (J.), Using Nonlinear Phonema in Contemporary Musical Composition and Performance, Anno 2003, Summer, pp. 30-65

-NEUBERT (D.), Electronic Bowed String Works: Some Observations on Trends & Developments in the Instrumental & Electronic Medium, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 540-566

-NEWLIN (D.), Why is Schoenberg’s Biography so Difficult to Write?, Fall-Winter – Anno 1974, Spring-Summer, pp. 40-42

  • Secret Tonality in Schoenberg’s Piano Concerto, Anno 1974, Fall-Winter, pp. 137-140

-NICHOLS (J.), Sy dolce non sono, for clarinet, A Tribute to Donald Martino, Anno 1991, Summer, pp. 490-493

-NORDWALL (O.), The Violino Grande, Anno 1969, Fall-Winter, pp. 111-114

-NESTROVSKI (A.), Joyce’s Critique of Music, Anno1991, Winter, pp. 6-47

-NOVACK (S.), Recent Approaches to the Study of Harmony, Anno 1964, Spring-Summer, pp. 150 – 158

-NUSS (S.), ‘Yes, I Wrote It, but I Didn’t Mean It’: Hearing the Unintended in Niimi Tokuhide’s Ohju, Anno 1999, Summer, pp. 51-116

  • Counterpoint: A Response to Bernard, In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 260265

-ODEGARD (P.), The Owl and the Pussy Cat, Anno 1985, Fall-Winter, pp. 367-400

-OGDON (W.), Conversation with Ernst Krenek, Anno 1972, Spring-Summer, pp. 102-110

  • Hurricane, Anno 1985, Fall-Winter, pp. 401-403
  • UCSD at Darmstadt 1988, Anno 1989, Summer, pp. 300-303

-O’GRADY (D.), vedi HANKINSON (A.), In Re…

-O’GRADY (T.), A Conversation with Leo Ornstein, Anno 1984, Fall-Winter, pp. 126-133

-O’LEARY (J.), Contemporary Music Festival in Dublin, Anno 1979, Spring-Summer, pp. 260-268

-OLIVER (H.), Structural Functions of Muscial Material in Webern’s Op. 6, No. 1, Anno 1967, Fall-Winter, pp. 67-73

-OLIVEROS (P.), Karl Kohn, Concerto Mutabile, Anno 1964, Spring-Summer, pp. 87- 99

  • Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 107-111
  • A Conversation about Feminism and Music, Anno 1994, Summer, pp. 174-193

-OLMSTEAD (A.), Roger Sessions on Music : Collected Essay, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.491-500

-ONDERDONK (H.), Aspects of Tonality in the Music f Ross Lee Finney, Anno 1968, Spring-Summer, pp. 125-145

-ORREGO-SALAS (J.), Variations for a Quiet Man, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 43-45

-OSTERREICH (N.), Music with Roots in the Aether, Anno 1977, Fall-Winter, pp. 214-228

-ORTIZ (W.), Du-Wop and Dialectic, Being a Composer in America, Anno 1988, Winter, pp. 215-223

-OVANIN (N.), Colors, Anno 1985, Fall-Winter, pp. 404-408

-PACCIONE (P.), On Gaburo as a Teacher, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 135-136

  • Stations – to Morton Feldman, for Solo Piano, Anno 1989, Winter, pp.174-179
  • Gaburo – Notes on…, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 98-113

-PACKER (R.), An Interview with Judith Bettina, Anno 1986, Spring-Summer, pp. 112-115

-PALMER (V.), Composer Survey: Opinions on Solo Vocal Literature, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 631-638

-PAN (W.), A Mathematical Model for Optimal Tuning Systems, Anno 2009, Winter, pp. 69-110

-PAREDES (R.), Empty, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 28-61

-PARENTI (S.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

  • Composing the Music School: proposals for a Feminist Composition Curriculum, Anno 1996, Winter, pp. 66-73

-PARNCUTT (R.), Applying Psychoacoustics in Composition: “Harmonic” Progressions of “ Nonharmonic” Sonorities, Anno 1994, Summer, pp. 88-129

-PASLER (J.), Ernst Křenek–In Retrospects, Anno 1985, Fall-Winter, pp. 424-433

  • Some Thoughts on Susan McClary’s Feminine Ending, Anno 1992, Summer, pp. 202-205
  • Hugues Dufourt’s “Manifesto of the Music of Our Times”: Narratives Without History in L’Afrique and L’Asie d’après Tiepolo, Anno 2011, Summer, pp. 198-231

-PATTERSON (D.), Cage and Beyond: An Annotated  Interview with Christian Wolff, Anno 1994, Summer, pp. 54-87

-PEARSALL (E.), Interpreting Music Durationally: A Set-Theory Approach to Rhythm, Anno 1997, Winter, pp. 205-230

-PECK (R.W.), Toward an Interpretation of Xenakis’s Nomos alpha, In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp.

  • Operator Sets and their Functioning in Composite Interval-Cycle Set Relations, Anno 2004, Winter, pp. 192-237
  • Wreath Products in Transformational Music Theory, Anno 2009, Winter, pp. 193-210

-PEDIO (R.), vedi BRANCHI (W.), Speaking…

-PERKINS (J.), Dallapiccola’s Art of Canon, Anno 1963, Spring, pp. 95 – 106

  • Morton Subotonick, Serenade No. 1, Anno 1964, Spring-Summer, p 100 – 105
  • Note Values, Anno 1965, Spring-Summer, pp. 58-73

-PERLE (G.), A Celebratory Invention, Anno 1985, Fall-Winter, pp. 409-411

-PERRY (J.), The Inner Voice of Simple Things: A Conversation with Paul Lansky, Anno 1996, Summer, pp. 40-61

-PERSICHETTI (V.), Sketch/Interlude for Aaron, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 46

  • Portrait of roger Sessions, Anno 1985, Spring-Summer, p. 165

-PEEL (J.), On Some Celebrated Measures of the Schoenberg String trio, Anno 1976, Fall-Winter, pp. 260-279

  • Correspondences and Assosiations in Milton Babbitt’s Reflections, Anno 1988, Winter, pp. 144-207

-PELES (S.), A Conversation with Claudio Spies, Anno 1994, Winter, pp. 292-316

-PELES (S.V.), Interpretations of Sets in Multiple Dimensions: Notes on the Second Movement of Arnold Schoenberg’s String Quartet #3, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 303-352

-PELLEGRINO (C.), Aspects of Closure in the Musicc of John Adams, Anno 2002, Winter, pp. 147-175

-PERLE (G.), A Note on Act III of Lulu, Anno 1964, Spring-Summer, pp. 8 – 13

  • An Approach to Simultaneity in Twelve-Tone Music, Anno 1964, Fall-Winter, pp. 91 – 101
  • Babbitt, Lewin, and Schoenberg: A Critique, Anno 1963, Fall-Winter, pp. 120 – 132
  • The Cerha Edition, Anno 1979, Spring-Summer, pp. 251-259

-PERLOVE (N.), transmission. Interpretation, Collaboration – A Performer’s Perspective on the Language of Contemporary Music: An Interview with Sophie Cherrier, Anno 1998, Winter, pp. 43-58

-PETERS (G.), “…How Creation is Composed”: Spirituality in the Music of Karlheinz Stockhausen, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 97-132

-PEYTON (M.), Envoi, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, p. 267

-PHILIPPOS (M.), Ansermet’s Phenomenological Metamorphoses, Anno 1964, Spring-Summer, pp. 129 -140

-PHILIPPOT (M. P.), Pierre Boulez Today, Anno 1966, Fall-Winter, pp.153-160

  • Arnold Schoenberg and the Language of Music, Anno 1975, Spring-Summer, pp. 17-29
  • Ear, Heart, and Brain, Anno 1976, Fall-Winter, pp. 45-60

-PIERCE (J.R.), Some Recollections of James Tenney, Anno 1987, Winter-Summer, pp. 534-535

-PINKAM (D.), Goin’60, Greetings to Gunther Schuller, Anno 1986, Spring-Summer, pp. 268-269

-PISK (P. A.), Alban Berg By Rosemary Hilmar, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 422-425

-POLANSKI (L.), Jim Tenney and Space Travel (Editor’s Introduction), A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 434-438

  • Four Violin Studies (What to do when the night comes…) (1980), Anno 1987, Winter-Summer, pp. 545-546
  • Being a Composer in America, Anno 1988, Winter, pp. 213-214
  • HMSL ( Hierarchical Music Specification Language): A Theoretical Overview, Computer Music Forum, Anno 1990, Summer, pp. 136-179
  • No Replacement (85 Verses for Kenneth Gaburo), A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 78-97
  • Bedhaya Guthrie/bedhaya Sandra for Voices, Kemanak, Melody Instruments, and Accompanimental Javanese Gamelan, Anno 1996, Winter, pp. 28-57
  • Improvisation, Hetereophony, Politics, Composition: A Panel Discussion, Anno 2007, Summer, pp. 133-149
  • A Mathematical Model for Optimal Tuning Systems, Anno 2009, Winter, pp. 69-110

-PONÉ (G.), Webern and Luigi Nono: The Genesis of a New Compositional Morphology and Syntax, Anno 1972, Spring-Summer, pp. 111-119

-POPE (S. T.), Music Notations and the Representation of Musical Structure and Knowledge, Anno 1986, Spring-Summer, pp. 156-189

-POPOF (A.), John Cage’s Number Pieces: the Meta-Structure of Time-Brackets and the Notion of Time, Anno 2010, Winter, pp. 65-83

-PORTER (D. H.), Reflective Symmetry in Music and Literature, Anno 1970, Spring-Summer, pp. 118-122

-POST (N.), Varése, Wolpe and the Oboe, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 135-148

-POUSSEUR (H.), The Question of Order in New Music, Anno 1966, Fall-Winter, pp.93-111

  • Stravinsky by Way of Webern: The Consistency of a syntax, Anno 1972, Spring-Summer, pp. 13-51

-POWELL (M.), A Note on Rigor, Anno 1963, Spring, pp. 121 – 124

  • A Letter to Donald Martino, A Tribute to Donald Martino, Anno 1991, Summer, pp. 398-399

-POWERS (H. S.), The Anthropology of Music, by Alan P. Merriam, Anno 1966, Spring-Summer, pp.161-171

  • The Structure of Musical Meaning : A view from Banaras, Anno 1976, Fall-Winter, pp. 308-336

-PRAUSNITZ (F.), Roger Sessions Remembered, Anno 1985, Spring-Summer, pp. 155-158

-PRESSLAFF (H.T), The Investigation, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 525-559

-PREVOST (E.), AMM, Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 34-46

-PRITCHETT (J.), From Choice to Chance: John Cage’s Concerto for prepared piano, Anno 1988, Winter, pp. 50-81

  • The Completion of John Cage’s Freeman Etudes, Anno 1994, Summer, pp. 264-271

-PROXMIRE (P.), The 1978 ISCM World Music Day, Anno 1977, Fall-Winter, pp. 225-236

-QUINN (I.), Listening to Similarity Relations, Anno 2001, Summer, pp. 108-158

  • General Equal-Tempered Harmony: Parts 2 and 3, Anno 2007, Winter, pp. 4-63

-RACZINSKI (J.M), The UPIC System: Origins and Innovations, Anno 1993, Winter, pp. 258-269

-RADANO (R.M.), Themes and Variations by John Cage, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 417-424

-RAHN (J.), On Pitch or Rhythm: Interpretations of Ordering of and in Pitch and Time, Anno 1975, Spring-Summer, pp. 182-203

  • How do you Du (by Milton Babbit)? , Anno 1976, Fall-Winter, pp.61-80
  • In Theory Only / II. Rhythm, and talk about it, Anno 1977, Spring-Summer, pp. 234-238
  • Evaluating Metrical Interpretations, Anno 1977, Fall-Winter, pp. 35-49
  • Aspects of Musical Explanation, Anno 1979, Spring-Summer, pp. 204-224
  • Relating Sets, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 483- 497
  • In Memoriam Wilson Coker, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 29-30
  • What Is Valuable in Art, and Can Music Still Achieve It?, Anno 1989, Summer, pp. 6-17
  • ICMC88: Crossroads at Cologne, Anno 1989, Winter, pp. 264-271
  • Processing Musical Abstraction: Remarks on LIPS, the NeXT, and the Future of Musical Computing, Computer Music Forum, Anno 1990, Winter, pp. 180-191
  • An Advance on A Theory for All Music: At-Least-As Predicates for Pitch, Time, and Loudness, Anno 1992, Winter, pp. 158-183
  • Another Lecture, “…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 238-248
  • An Interview with Ustad Imrat Khan, Anno 1992, Summer, pp. 126-145
  • Differences, Anno 1993, Summer, pp. 24-57
  • Iannis Xeneakis: Regard, Disregard; Liberation, In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 211-214
  • Worth Noting Roger Reynolds’s Form and Method, Anno 2002, Winter, pp. 241-243
  • Chloe’s Friend (A Symposium About Music and Mathematics), Anno 2003, Summer, pp. 8-29
  • The Swerve and the Flow: Music’s Relationship to Mathematics, Anno 2004, Winter, pp. 130-149
  • Approaching Musical Actions, Anno 2007, Summer, pp. 57-75
  • Mille Plateaux, You Tarzan: A musicology of (an Anthropology of ( an Anthropology of A Thousand Plateaus)), Thousand Plateaus, Anno 2008, Summer, pp. 81-92
  • A Brief Guide to the Tiling Articles, Tiling Rhythmic Canons co-edited by Emmanuel Amiot and Jhon Rahn, Anno 2011, Summer, pp. 6-7

-RAINES (T.), An Inconsistency in Kassler’s First Twelve-Note Class System, Anno 1975, Fall-Winter, pp. 209-212

-RAKOWSKI (D.), For Martin Boykan’s Seventieth Birthday Festschrift, Martin Boykan Festschrift, Anno 2000, Summer, pp. 199-207

-RANDALL (J.K.), (a loss too soon.), Anno Fall-Winter 1979, Spring-Summer 1980, pp. 4-6

  • repeat after me, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 160-214
  • Are You Serious?, Anno 1985, Spring-Summer, pp. 72-89

-RAO (N.), Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music, Anno 2002, Summer, pp. 190-232

-RASCH (R.), Review of Gardner Read, 20th-Century Microtonal Notation, Colloquy and Review, Anno 1991, Winter, pp. 258-263

-REED (S.A.), In C on Its Own Terms: A Statistical and Historical View, Anno 2011, Winter, pp. 47-78

-REICH (S.), Tenney, Anno 1987, Winter-Summer, pp. 547-548

  • Texture – Space – Survival, Anno 1988, Summer, pp. 272-280

-REIPRICH (B.), Transformation of Coloration and Density in György Ligeti’s Lontano, Anno 1977, Fall-Winter, pp. 167-180

-REISE (J.), Rochberg the Progressive, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 395-408

-REYNOLDS (R.), Wonderful Times, Anno 1988, Summer, pp. 44-55

  • Seeking Centers, Anno 1994, Summer, pp. 272-291
  • …Taste, Boundaries, Relevance, Purpose, Risk… (about Salvatore Martiniano), In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 200-207
  • Xenakis:… Tireless renewal at Every Instant, at Every death…, In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp. 4-65

-RAKSIN (D.), A Note for Aaron, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.47

-RAMEY (P.), Autumn Pastorale, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p.48

-RANDALL (J.K.), Godfrey Winham, Composition for Orchestra, Anno 1963, Fall-Winter, pp. 102- 114

  • Three Lectures to Scientists, Anno 1967, Spring-Summer, pp.124-140
  • Compose Yourself – A Manual for the Young, Anno 1972, Spring-Summer, pp. 1-12
  • Compose Yourself – A Manual of the Young: Revelstoke, Lovejoy, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 231-281
  • “a Soundscroll” , Anno 1975, Spring-Summer, pp. 126-149
  • Contrapunktus XI.2 (In memoriam David Lewin), Anno 2003, Summer, pp. 160-165

-RAVENSCROFT (b.), Working out the “Is-tos” and the “As-tos”: Lou Harrison’s Figure for Percussion, Anno 2000, Winter, pp. 25-44

-REGENER (E.), Layered Music-Theoretic Systems, Anno 1967, Fall-Winter, pp.52-62

  • On Allen Forte’s Theory of Chords, Anno 1974, Fall-Winter, pp.191-212

-REID (J. W.), Properties of the Set Explored in Webern’s Variations, Op. 30, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 344-350

-REPETTO (D.), A Mathematical Model for Optimal Tuning Systems, Anno 2009, Winter, pp. 69-110

-REYNOLDS (R.), Indeterminacy: Some Considerations, Anno 1965, Spring-Summer, pp.136-140

  • Thoughts on Sound Movement and Meaning, Anno 1977, Fall-Winter, pp. 181-190
  • A Jostled Silence (Part One), Anno 1992, Winter, pp. 22-81
  • A Jostled Silence (Part Two), Anno 1992, Summer, pp. 60-101
  • A Jostled Silence (Part Three), Anno 1993, Summer, pp. 172-177

-RHODES (P.), A Tribute To Donald Martino on the Occasion of His Sixtieth Birthday (A Memoir), A Tribute to Donald Martino, Anno 1991, Summer, pp. 400-401

  • Martinomezzo (A Birthday Card), for clarinet, A Tribute to Donald Martino, Anno 1991, Summer, p. 494

-RICH (A.), Hugo Weisgall: Athaliah, Anno 1964, Fall-Winter, pp. 156 – 158

-RISSET (J.C.), About James Tenney, Composer, Performer, and Theorist, Anno 1987, Winter-Summer, pp. 549-561

-RIVES JONES (J.), Some Aspects of Rhythm and Meter in Webern’s Opus 27, Anno 1968, Spring-Summer, pp.103-110

-ROBBOY (R.), Stretto, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 180-191

-ROCHBERG (G.), The New Image of Music, Anno 1963, Fall-Winter, pp. 1 – 10

  • Reflections on Schoenberg, Anno 1973, Spring-Summer, pp. 56-83

-ROCHLITZ (R.), Language for One, language for All: Adorno and Modernism, Anno 1989, Summer, pp. 18-37

-ROCKMORE (D.), A Mathematical Model for Optimal Tuning Systems, Anno 2009, Winter, pp. 69-110

-ROEDER (J.), A Geometric Music of Charles Wuorinen, Anno 1987, Winter-Summer, pp. 410-417

  • Música y Teoría de grupos Finitos: A Review, Anno 1987, Winter-Summer, pp. 638-641
  • A MaMuTh Achievement, Anno 1993, Summer, pp. 294-310
  • The Craft of Hybrid Composition: Meter, Tonality and Grouping in Micheal Torke’s Adjustable Wrench, Anno 2003, Summer, pp. 122-159

-ROENS (S.), Encomium for Piano, Martin Boykan Festschrift, Anno 2000, Summer, pp.208-212

-ROGERS (D.W.), A Geometric Approach to Pcset Similarity, Anno 1999, Winter, pp. 77-90

-ROGERS (J.), Some Properties of Non duplicating Rotational Arrays, Anno 1968, Spring-Summer, pp. 80-102

  • Dialogue de l’ombre double: construction by Assemblage, Anno 2000, Summer, pp. 30-51

-ROREM (N.), All’s in a name, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 51

– ROSE (F.), Introduction to the Pitch Organization of French Spectral Music, Anno 1996, Summer, pp. 6-39

-ROSEN (C.), The Proper Study of Music, Anno 1962, Fall, pp. 80 – 88

  • Homage to Milton, Anno 1976, Fall-Winter, pp.37-40

-ROSEN (J.), A Note on Milhaud, Anno 1963, Fall-Winter, pp. 115 – 119

  • In a Garden, Anno 1985, Fall-Winter, pp. 412-419

-ROSENBOOM (D.), Cognitive Modelling Musical Composition in the Twentieth Century: A Prolegomenon (Editor’s Introduction), A Tribute to James Tenney, Anno 1987, Winter-Summer, pp. 439-446

  • Maple Sugar and James Tenney: In the Beginning, Etudes II and III, Anno 1987, Winter-Summer, pp. 562-568
  • A Program for the Development of Performance-oriented Electronic Music Instrumentation in the Coming Decades: “What You Conceive is What You Get”, Anno 1987, Winter-Summer, pp. 569-583
  • HMSL ( Hierarchical Music Specification Language): A Theoretical Overview, Computer Music Forum, Anno 1990, Summer, pp. 136-179
  • C. – A. D. and Two Lines: Two Ways of Making Music While Exploring Instability in Tribute to Salvatore Martirano, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 208-227

-ROSSER (P.), Bryan Ferneyhough and the “Avant-Garde Experience”: Benjaminian Tropes in Funérailles, Anno 2010, Summer, pp. 114-151

-ROWE (K.), AMM, Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 34-46

-RUBIN (A.), Japanese Composers at the Holland Festival, 1983, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 502-513

  • Review of Electroacustic Music: Analytical Perspectives, Colloquy and Review, Anno 2004, Winter, pp. 238-243

-RUFER (J.), Schoenberg – Yesterday, Today, and Tomorrow, Anno 1977, Fall-Winter, pp. 125-138

-RUST (D.), Two Questions of Perception in Lutoslawski’s Second Symphony, Anno 2004, Summer, pp. 190-263

-RYMLAND (L.), Antiphony #11, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 114-129

-RZEWSKI (F.), Four Envois, Anno 1993, Summer, pp. 132-135

  • Inner Voices, Anno 1995, Winter-Summer, pp. 404-417

-SABBE (H.), Open Structure and the Problem of Criticism: Reflections on DeLio’s Circumscribing the Open Universe, Anno 1989, Winter, pp. 312-317

-SACHS (J.), Some Aspects of Musical Politics in Pre-Nazi Germany, Anno 1970, Fall-Winter, pp. 96-112

-SALMON ( W.), The Influence of  Noh on Harry Partch’s Delusion of the Fury, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 233-246

-SALZMAN (E.), Modern Music in Retrospect, Anno 1964, Spring-Summer, pp. 14 – 20

-SALZMAN (E.), New York Report: The New Virtuosity, Anno 1963, Spring, pp. 174 – 188

  • Paul Des Marais, Aaron Copland’s Nonet: Two Views, Anno 1962, Fall, pp. 172 – 179

-SAMUEL (R.), Review of Audible Traces, Anno 2002, Winter, pp. 235-240

-SANI (N.), 1986 International Computer Music Conference, Den Haag: review in Two Parts, Anno 1987, Winter-Summer, pp. 618-637

-SANTOS (E.) Requiem for Bill Albright, William Albright in Memoriam, Anno 1999, Winter, pp. 35-38

-SAXTON (S.E.), The Trial of Lucullus, or A Session with Sessions, Anno 1985, Spring-Summer, pp. 160-161

-SCALETTI (C.), Composing Sound Objects in Kyma, Anno 1989, Winter, pp. 42-69

-SCHERZINGER (M.), Negotiating the Music-Theory/African Music Nexus: A Political Critique of Ethnomusicological Anti-Formalism and a Strategic Analysis of the Harmonic Patterning of the Shona Mbira Song Nyamaropa, Anno 2001, Winter, pp. 5-117

  • Erratum/Addendum, Anno 2003, Summer, pp. 256-258
  • Musical Modernism in the Thought of Mille Plateaux, and Its Twofold Politic, Thousand Plateaus, Anno 2008, Summer, pp. 130-158

-SCHICK (S.), Developing an Interpretative Context: Learning Brian Ferneyhough’s Bone Alphabet, Anno 1994, Winter, pp. 132-153

-SCHIFFMAN (H.), Praeludium, Anno 1985, Spring-Summer, p. 159

-SCHMITT (N.C.), John Cage in a New Key, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 99-103

-SCHOENBERG (A.), Analysis of the Four Orchestral Songs Opus 22, pp.1-21, Spring-Summer 1965

  • Problems of Harmony, Anno 1973, Spring-Summer, pp. 3-23

-SCHULLER (G.), American Performance and New Music, Anno 1963, Spring, pp. 1 – 8

  • Conversation with Steuermann, Anno 1964, Fall-Winter, pp. 22 – 35
  • Conversation with Varèse, pp.32-37, Spring-Summer 1965

-SCHUMAN (W.) Aaron Copland, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 52-53

-SCHWARTZ (D.), Symposium: The Nature of Music, Poetry as Imitation, Anno 1985, Fall-Winter,  pp. 102-107

-SCHWARTZ (E.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 69-70

  • Two New-Music Festival: Oslo and Amsterdam, Colloquy and  Review, Anno 1991, Winter, pp. 320-329
  • Zürich ISCM 1991, Anno 1992, Winter, pp. 304-309
  • 1992 Warsaw ISCM, Anno 1993, Winter, pp. 316-323
  • European Journal, 1993, Anno 1994, Summer, pp. 292-299

-SCHWARTZ (H.), Symposium: The Nature of Music, Music and Emotion, Anno 1985, Fall-Winter,  pp. 98-101

-SCHWARZ (D.), Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich, Anno 1993, Summer, pp. 24-57

-SCHWARZ (K.R.), Steve Reich : Music as a Gradual Process, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 372-394

  • Steve Reich : Music ad a Gradual Process, Part II, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 225-287

-SCOTT (D.), The Interval Angle: A Similarity Measure for Pitch-Class Sets, Anno 1998, Summer, pp. 107-142

-SCOTTI (J.R), Edward A. Berlin : Ragtime : A Musical and Cultural History, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 560-567

-SCOTTO (C.), Preparing a performance of Babbitt’s Arie da Capo, Anno 1988, Summer, pp. 6-25

  • A Hybrid Compositional System: Pitch-Class Composition with Tonal Syntax, v 169-222

-SEARLE (H.), Schoenberg and Music Today, Anno 1974, Fall-Winter, pp. 56-57

-SELLECK (J.), Pitch and Duration as Textural Elements in Lutoslawski’s String Quartet, Anno 1975, Spring-Summer, pp. 150-161

-SEMEGEN (D.), Art-tickle: points to Ponder, Anno 1994, Winter, pp. 220-223

-SERRA (M.H.), The UPIC System: Origins and Innovations, Anno 1993, Winter, pp. 258-269

-SESSIONS (R.), To the Editor, Anno 1967, Spring-Summer, pp.81-97

-SHACKELFORD (R.), The Yaddo Festival of American Musica, 1932-1952, Anno 1978, Fall-Winter, pp. 92-125

  • Conversation with Vincent Persichetti, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp.104-134

-SHALLENBERG (R.), Electronic Music Synthesis by Hubert S. Howe, Jr. , Anno 1975, Spring-Summer, pp.178-181

  • For Kenneth Gaburo: A personal Note, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp.137-140

-SHAPERO (H.), A. B. 65, Anno 1978, Fall-Winter, pp. 77-82

  1. C. 80, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp.54-57

-SHAPEY (R.), Form for piano, Anno 2002, Summer, 80-90

-SHENG (B.), H’un (Lacerations): in Memoriam 1966-1976 for Orchestra

-SHIMIZU (M.), What Is Plura-Monism?, Anno 2001, Summer, pp. 211-228

-SERRA (M.H), Stochastic Composition and Stochastic Timbre: Gendy 3 by Iannis Xenakis, Anno 1993, Winter, pp. 236-257

-SHAPEY (R.), Form for piano, Wolpe Centennial Essays, Anno 2002, Winter, pp. 80-90

-SHATZKIN (M.), A Pre-Cantata Serialism in Stravinsky, Anno 1977, Fall-Winter, pp. 139-143

-SHIFRIN (S.), A Note from the Underground, Anno 1962, Fall, pp. 152 – 153

  • Style and Idea by Arnold Schoenberg, Anno 1975, Fall-Winter, pp. 174-181
  • A Birthday Greeting, Anno 1976, Fall-Winter, pp. 200-201

– SHINN (R.), Ben Johnston’s Fourth String Quartet, Anno 1977, Spring-Summer, pp. 145-173

-SICILIANO (M.), SIMP Operations and the Strange but Beautiful Janus-Faced PC, Anno 2011, Winter, pp. 79-126

-SIDDONS (J.), On the Nature of Melody in Varèse’s Density 21.5, Anno 1984, Fall-Winter, pp. 298-317

-SIEPMANN (D.), A Slight Delay: Agency and Improvisation in the Ambient Sound World, Anno 2010, Winter, pp. 173-199

-SILBER (J.), Writing, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 135-183

  • Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 92-100

-SILVER (S.), Pitch and Registral Distribution in Arthur Berger’s Music for Piano, Anno 1978, Fall-Winter, pp. 68-76

  • Fantasy quasi Theme and Variations, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 58-65

-SIMMS (R. B.), New Documents in the Schoenberg-Schenker Polemic, Anno 1977, Fall-Winter, pp. 110-124

-SIMS (E.), The Narrator’s Couplets, Anno 1987, Winter-Summer, pp. 584-591

  • Reflections on This and That (Perhaps A Polemic), Forum: Microtonality today (Part One), Anno 1991, Winter, pp. 236-257
  • Long Enough to Reach the Ground, or, How long Should a Man’s Legs Be?, Anno 1994, Winter, pp. 2018-213

-SIR (N.), Conversation with Max Deutsch, Anno 1972, Spring-Summer, pp. 52-59

-SLAVICEK (G.), Music War, Anno 1995, Winter-Summer, pp. 626-627

-SLAWSON (W.), Sound-Color Dynamics, Anno 1987, Winter-Summer, pp. 156-181

-SMALDONE (E.), Japanese and Western Confluences in Large-Scale Pitch Organization of Tōru Takemitsu’s November Steps and Autumn, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 216-231

-SMIGEL (E.), RECITAL HALL OF Cruelty: antonin Artaud, David Tudor, and the 1950s Avant-Garde, Anno 2007, Summer, pp. 171-202

-SMIT (L.), To Aaron Copland, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 66-67

-SMITH (C.J.), Rhythm Restratified, Anno 1977, Fall-Winter, pp. 144-176

-SMITH (K.M.), Lacan, Zemlinsky and Der Zwerg: Mirror, Metaphor, and Fantasy, Anno 2010, Summer, pp. 78-113

-SMITH (S.), A Portrait of Herbert Brün, Anno 1979, Spring-Summer, pp. 56-75

  • Visual Music, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 75-93
  • A Composer’s Mosaic, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 275-285
  • Return and Recall (Improvisation – (The First Step) at U.M.B.C, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 286-289

-SMITH (S.S.), Aussie Blue, Anno 1988, Summer, pp. 300-305

  • Against Definition (1992), Anno 1994, Winter, pp. 214-219
  • To Suffer Music, Anno 1996, Winter, pp. 106-115
  • Showing and Saying, Anno 1996, Winter, pp. 116-123
  • Inner-Views, A Conversation with Tom Goldstein, Anno 1998, Summer, pp. 187-200

-SMITH (T.), Nick Lowe, Nick the Knife; The B-52’s, Mesopotamia; Graham Parker, Another Grey Area, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 94-97

-SMITH (J. A.), Schoenberg’s Way, Anno 1979, Fall-Winter – Anno 1980, Spring-Summer, pp. 258-286

-SMITH (W.O), Roger Sessions: In Memoriam, Anno 1985, Spring-Summer, pp. 162-164

-SMOLIAR (S.W.), Douglas R. Hofstadter : Gödel, Escher, Bach . An Eternal Golden Braid, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 501-506

-SMYTH (D.), Stravinsky’s Second crisis: Reading the Early Serial Sketches, Anno 1999, Summer, pp. 117-146

-SMYTH (D. H.), Basic Atonal Theory by John Rahn, Anno 1983, Fall-Winter – Anno 1984, Spring-Summer, pp. 549-556

-SNARRENBERG (R.), Hearings of Webern’s “Bewegt”, Anno 1986, Spring-Summer, pp. 386-405

  • Zen and the Way of Soundscroll, “…Is, with Respect to”: Text and Thoughts in the Space of J.K. Randall, Anno 1992, Winter, pp. 222-237

-SNELL (J.L), Musical Grammars and Computer Analysis: A review, Anno 1985, Spring-Summer, pp. 220-235

-SOLLBERGER (H.), Mel Powell: Haiku Settings, Anno 1964, Fall-Winter, pp. 147 – 155

  • Footnote to Stravinsky, Anno 1966, Fall-Winter, pp.148-152
  • Un Mazzo di Fiore per Salvatore, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 228-229

-SOLOMON (L.), Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 71-78

  • Improvisation II, Anno 1986, Spring-Summer, pp. 224-235

-SOLOMON (L. J.), New Symmetric Transformations, Anno 1973, Spring-Summer, pp. 257-264

-SOLOMONS (M.), The Unity of Xeneakis’s Instrumental and Electroacoustic Music: The Case for “Brownian Movements”, In Memoriam Iannis Xeneakis (Part One) Anno 2001, Winter, pp. 244-254

-SOUNDERS (J.), Modular Music, Anno 2008, Winter, pp. 152-193

-SPIES (C.), John M. Perkins, Quintet Variations, Anno 1963, Fall-Winter, pp. 67

  • Notes on Stravinsky’s Variations, Anno 1965, Spring-Summer, pp. 62-74
  • Schoenberg by Pittsburgh and Steinberg, pp.172-176
  • Some Notes on Stravinsky’s requiem Settings, Anno 1967, Spring-Summer, pp.98-123
  • The Organ Supplanted: A Case for Differentiations, Anno 1973, Spring-Summer, pp. 24-55
  • “Vortrag / 12 T K / Princeton”, Anno 1974, Fall-Winter, pp. 58-136
  • Verschieden (A Lament for Seymour Shifrin), Anno 1979, Spring-Summer, pp.1-10
  • A Note from Terra Firma, Being a Composer in America, Anno 1988, Winter, pp. 208-209

-SQUIBBS (R.), Xenakis in Miniature: Style and Structure in à r. (Hommage à ravel) for Piano (1987), In Menoriam Iannis Xenakis (Part Three), Anno 2003, Winter, pp. 120-153

-STADELMAN (J.), A Symmetry of Thought, A Tribute to Donald Martino, Anno 1991, Summer, pp. 402-439

-STANFIELD (M.), Some Exchange Operations In Twelve-tone Theory: Part One, Anno 1984, Fall-Winter, pp. 258-277

  • Some Exchange Operations in Twelve-Tone Theory: Part Two, Anno 1985, Fall-Winter, pp. 72-95
  • Twelve-Tone Phenomena Studied through Smaller Phonic System, Anno 1986, Spring-Summer, pp. 322-385

-STARR (D.), Derivation and Polyphony, Anno 1984, Fall-Winter, pp. 180-257

-STARR (L.) Copland’s Style, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 68-89

  • Roger Sessions and His Music: A Book Review, Anno 1985, Spring-Summer, pp. 216-219

-STARR (M.), Webern’s Palindrome, Anno 1970, Spring-Summer, pp. 137-142

  • Style and Substance : Ann Street“ by Charles Ives, Anno 1977, Spring-Summer, pp. 23-33
  • A General Theory of Combinatoriality and the Aggregate (Part 1), Anno 1977, Fall-Winter, pp. 3-35
  • A General Theory of Combinatoriality and the Aggregate (Part 2), Anno 1977, Fall-Winter, pp. 50-84

-STAUFFER (T.) Richard Swift’s SUMMER NOTES, Anno 1977, Spring-Summer, pp.115-121

-STEIN (C.), 10 Sound Texts, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 520-531

-STEIN (L.), New Music on Mondays, Anno 1963, Fall-Winter, pp. 142 – 150

  • The Performer’s Point of View, Anno 1963, Spring, pp. 62 – 71
  • Schoenberg : Five Statements, Anno 1975, Fall-Winter, pp. 161-173

-STEINBERG (M.), Some Observations on the Harpsichord in Twentieth Century Music, Anno 1963, Spring, pp. 189 – 194

  • Tradition and Responsibility, Anno 1962, Fall, pp. 154 – 159

-STERKEN (S.), Towars a Space-Time Art: Iannis Xeneakis’s Polytopes, Anno 2001, Summer, pp. 262-273

-STERNE (C.C), Pythagoras and Pierrot: An approach to Schoenberg’s use of numerology in the construction of ‘Pierrot lunaire’, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 506-534

-STEUERMANN (C.), In Memory on Rudolf Kolisch, Anno 1977, Fall-Winter, pp. 247-250

-STEVANCE (S.), Marcel Duchamp’s Musical Secret Boxed in the Tradition of the real: A New instrumental Paradigm, Anno 2007, Summer, pp. 150-170

-STEVENS (C.), A Reflection : Copland at Eighty, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 90

  • A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30

-STILES (J.E.), A Hex for Mr. Cage, Anno 1977, Fall-Winter, pp. 212-213

-STOCKHAUSEN (K.), The Concept of Unity in Electronic Music, Anno 1962, Fall, pp. 39 – 48

  • To the International Music Council, Anno 1985, Fall-Winter, pp. 38-45
  • Stockhausen on Opera, Anno 1985, Spring-Summer, pp 24-39
  • Electronic Music for Kathinka’s Chant as Lucifer’s Requiem, Anno 1985, Spring-Summer, pp. 40-61
  • Clavier Music 1992, Anno 1993, Summer, pp. 136-149
  • Octophony: Electronic Music from Tuesday from Light, Anno 1993, Summer, pp. 150-171
  • Electroacustic Performance Practice, Anno 1996, Winter, pp. 74-105

-STOIANOVA (I.), And Dasein Becomes Music: Some Glimpses of Licht, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Three), Anno 1999, Winter, pp. 179-212

-STONE (C.), New Music America 1982, Report, Anno 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 615-622

-STONE (K.), Problems and Methods of Notation, Anno 1963, Spring, pp. 9 – 31

-STRASBURGER (H.), Applying Psychoacoustics in Composition: “Harmonic” Progressions of “Nonharmonic” Sonorities, Anno 1994, Summer, pp. 88-129

-STRAUS (J.N.), Listening to Babbitt, Anno 1985, Spring-Summer, pp. 10-25

-STRAVINSKY (I.) & CRAFT (R.), A Quintet of Dialogues, Anno 1962, Fall, pp. 7 – 17

-STRAWN (J.), The Integralés of Edgard Varèse, Space, Mass, Element, and Form, Anno 1978, Fall-Winter, pp. 138-160

-SUBOTNICK (M.), Pauline Oliveros, Trio, Anno 1963, Fall-Winter, pp. 77 – 81

-SULLIVAN (M.), To One Of Those Who Do In Deed Leave Traces, Anno Fall-Winter 1979, Spring-Summer 1980, pp. 107-134

-SULLIVAN (T.), Structural Layers in Alfred Schnittke’s Concerto Grosso No. 3, Anno 2010, Summer, pp. 21-46

-SWARTZ (S.), Report from Buffalo – The North American New Music Festival 1983, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 393-401

-SWHARZ (B.), Arnold Schoenberg in Soviet Russia, Anno 1965, Spring-Summer, pp.86-94,

-SWIFT (R.), The demonstrations of J. K. Randall, Anno 1964, Spring-Summer, pp. 77 – 86

  • Sound Structure in Music by Robert Erickson, Anno 1975, Fall-Winter, pp. 148-160
  • Some Aspects of Aggregate Composition, Anno 1976, Fall-Winter, pp. 236-248
  • SUMMER NOTES, Anno 1977, Spring-Summer, pp.97-114
  • A Tonal Analog : The Tone-Centered Music of George Perle, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 257-285
  • Stravaganza X, Anno 1985, Fall-Winter, pp. 420-423
  • Things of August, Babbitt: a 70th Birthday, Part 2, Anno 1987, Winter-Summer, pp. 236-257
  • On Prime, Anno 1988, Summer, pp. 26-31
  • Stravaganza XIV for Piano, Martin Boykan Festschrift, Anno 2000, Summer, pp. 213-217

-TAKEMITSU (T.), Contemporary Music in Japan, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 198-205

  • Afterword, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 206-215
  • A Jostled Silence (Part One), Anno 1992, Winter, pp. 22-81

-TALMA (L.), Prayer from Voices of Peace, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, p. 91

-TANGIAN (A.), Constructing Rhythmic Canons, Anno 2003, Summer, pp. 30-65

-TANN (H.), Introduction, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 45-47

  • Coming To Terms: (Futaiken), Reibo, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 52-77
  • Afterword, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 206-215

-TARANTINO (T.), Wayfinding in Jhon Luther Adams’s for Lou Harrison, Anno 2009, Summer, pp. 196-227

-TAUB (R.), An Appreciation of Milton’s Piano Music, Anno 1986, Spring-Summer, pp. 26-29

-TAYLOR (C.), Walter Piston: for his seventieth birthday, Anno 1964, Fall-Winter, pp. 102 – 114

-TAYLOR (T.D.), When We Think about Music and Politics: The Case of Kevin Volans, Anno 1995, Winter-Summer, pp. 504-537

-TAXIN (I.), A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30

-TEITELBAUM (R.), SON-NOVA 1988: Electronic Music by Arel, Davisovsy, Ussachevsky, Anno 1964, Fall-Winter, pp. 127 – 130

-TENNEY (J.), About Changes: Sixty-four Studies for Six Harps, Anno 1987, Winter-Summer, pp. 64-87

-TENNY (J.), The Chronological Development of Carl Ruggles’ Melodic Style, Anno 1977, Fall-Winter, pp. 36-69

-THOMSON (V.), Persistently Pastoral : Aaron Copland, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 92-95

-TICHENOR (M.), Onanalysis, Anno 1979, Spring-Summer, pp. 113-130

  • Getting to gnaw all about you, Anno 1981, Fall-Winter – Anno 1982, Spring-Summer, pp.406-412

-THOMAS (M.) Nancarrow’s Canons: Projections of Temporal and Formal Structures, Anno 2000, Summer, pp. 106-133

-TOENJES (J.), Composing for Interactive Dance: Paradigms for Perception, Anno 2007, Summer, pp. 28-50

-TOOP (R.), Messiaen / Goeyvaerts, Fano/ Stockhausen, Boulez, Anno 1974, Fall-Winter, pp. 141-169

  • Brian Ferneyhough’s Lemma-Icon-Epigram, Anno 1990, Summer, pp. 52-101
  • Sulle Scale della Fenice, Forum: Microtonality today (Part Two), Anno 1991, Summer, pp. 72-93
  • On Complexity, Anno 1993, Winter, pp. 42-57
  • “Prima le parole…” (on the Sketches for Ferneyhough’s Carceri d’invenzione I-III), Anno 1994, Winter, pp. 154-175
  • Stockhausen’s Secret Theater: Unfinished Projects from the Sixties and early Seventies, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two), Anno 1998, Summer, pp. 91-106

– TOORN (P. C.), Van Den, Some Characteristics of Stravinsky’s Diatonic Music, Anno 1975, Fall-Winter, pp. 104-138

  • Some characteristics of Stravinsky’s Diatonic Music (II) , Anno 1977, Spring-Summer, pp. 58-96

-TOUSSAINT (G.T), Analysis of emergent Beat-Class Sets in Steve Reich’s Clapping Music and the Yoruba Bell Timeline, Anno 2009, Winter, pp. 111-134

-TRAUX (B.), Composing with Real-time Granular Sound, Computer Music Forum, Anno 1990, Summer, pp. 120-135

  • The Inner and the Outer Complexity of Music, Anno 1994, Winter, pp. 176-193

-TRAVIS (R.), Directed Motion in Schoenberg and Webern, Anno 1966, Spring-Summer, pp.85-89

-TREITLER (L.), Musical Syntax in the Middle Ages: Background to an Aesthetic Problem, Anno 1965, Spring-Summer, pp.75- 85

  • The Present as History, Anno 1969, Fall-Winter, pp. 1-58
  • History and Archetypes, For Richard Swift at 70, Anno 1997, Winter, pp. 115-128

-TRUELOVE (S.), The Translation of Rhythm into Pitch in Stockhausen’s Klavierstück XI, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 189-220

-ULMAN (E.), Some Thoughts on the New Complexity, Anno 1994, Winter, pp. 202-207

  • The Music of Sylvano Bussotti, Anno 1996, Summer, pp. 186-201

-UNGEHEUER (E.), Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge, A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One), Anno 1998, Winter, pp. 97-142

-USCHER (N.),  Luciano Berio, Sequenza VI for Solo Viola: Performance Practices, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 286-294

-USSACHEVSKY (V.),  A Bit of History and a Salute to Milton, Anno 1976, Fall-Winter, pp. 43-44

-VARESE (E.), The Liberation of Sound, Anno 1966, Fall-Winter, pp.11-19

-VERCOE (B.), Music Computation Conference: A Report and Commentary, Anno 1974, Fall-Winter, pp. 234-238

-VERDI (L.), The History of Set Theory from a European Point of View, Anno 2007, Winter, pp. 154-183

-VEZZA (D.), Interview with Oliver Schneller, Anno 2010, Winter, pp. 208-226

-VIERU (A.), Modalism–A “Third World”, Anno 1985, Fall-Winter, pp. 62-71

  • Generating Modal Sequences (A Remote Approach to Minimal Music), Anno 1992, Summer, pp. 178-201

-VIGIL (R.), Compositional Parameters: Projection 4 and an Analytical Methodology for  Morton Feldman’s Graphic Works, Anno 2009, Winter, pp. 233-258

-VISHIO (A.), An Investigation of Structure and Experience in Martino Space, A Tribute to Donald Martino, Anno 1991, Summer, pp. 440-477

-VITALE ( W.), Balinese Kebyar Music Breaks the Five-Tone Barrier: New Composition for Seven-Tone Gamelan, Anno 2002, Winter, pp. 5-69

-VOGEL (V.), Impressions of Ferruccio Busoni, Anno 1968, Spring-Summer, pp. 167-173

-VOJCIC (A.), A Sonorous Image of Time-Stretching in Birtwhistle’s Harrison’s Clocks, Anno 2010, Winter, pp. 5-43

-VUZA (D.T.), Some Mathematical Aspects of David Lewin’s Book Generalized Musical Intervals and Transformations, Anno 1988, Winter, pp. 258-287

  • Supplementary Sets and Regular Complementary Unending Canons (Part One), Anno 1991, Summer, pp. 22-49
  • Supplementary Sets and Regular Complementary Unending Canons (Part Two), Anno 1992, Winter, pp. 184-207
  • Supplementary Sets and regular Complementary Unending Canons (Part Three), Anno 1992, Summer, pp. 102-125
  • Supplementary Sets and regular Complementary Unending Canons (Part Four), Anno 1993, Winter, pp. 270-305

-YANNAY (Y.), A European Trilogy, Anno 1988, Summer, pp. 281-299

-YARDEN (E.), The Israeli Composer and His Milieu, Anno 1966, Spring-Summer, pp.130-139

-YARDEN (N.),  A Meditation – Women’s Music in New York 1981, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 451-463

-YIM (J.A.), The Blue Voice of Air, for string quartet, A Tribute to Donald Martino, Anno 1991, Summer, pp. 495-503

-YOUNG (G.), The Pitch Organization of Harmonium for James Tenney, Anno 1988, Summer, pp. 204-213

-YUASA (J.), Music as a Reflection of a Composer’s Cosmology, Tradition and Renewal in the Music of Japan, Anno 1989, Summer, pp. 176-197

  • A Jostled Silence (Part Three), Anno 1993, Summer, pp. 172-177

-WAGONER (J.D.), Composing and Democratic Experiment, Anno 1988, Summer, pp. 226-237

-WARFIELD (G.), The Notation of Harmonics for Bowed String Instruments, Anno 1973, Fall-Winter – Anno 1974, Spring-Summer, pp. 331-333

-WARNER (D.), A .S.U.C. IN CINCINNATI 1981, A Report, Anno 1980, Fall-Winter – Anno 1981, Spring Summer, pp. 478-482

  • Notes from the Timbre Space, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 15-23

-WASON (R.), Tonality and Atonality in Frederick Rzewski’s Variation on “The People United Will Never Be Defeated”, Anno 1988, Winter, pp. 108-143

-WASCHKA II (R.), The 1991 International Computer Music Conference: the Music in Montréal, Anno 1992, Winter, pp. 310-323

-WATERMAN (E.), Cassandra’s Dream Song: A Literary Feminist Perspective, Anno 1994, Summer, pp. 154-173

-WATKINS (G. E.), Schoenberg and the Organ, Anno 1965, Spring-Summer, pp.119-135

-WHEELDON (M.), Debussy’s “Soupir”: An Experiment in Permutational Analysis, Anno 2000, Summer, pp. 134-160

-WEIDENAAR (R.), Live Music and Moving Images: Composing and Producing the Concert Video, Anno 1986, Spring-Summer, pp. 270-279

-WEINBERG (H.), Donald Martino, Trio, Anno 1963, Fall-Winter, pp. 82 – 90

  • Letter from Italy, Anno 1962, Fall, pp. 192 – 196
  • For Salvatore, In Memoriam Salvatore Martirano, Anno 1996, Winter, pp. 230-241

-WEISSER (B.), John Cage: “…The Whole Paper Would Potentially Be Sound”: Time-Brackets and the Numeber Pieces (1981-92), Anno 2003, Summer, pp. 176-225

-WELSH (J.), …a flight:… FLIGHT, Anno 1984, Fall-Winter, pp. 144-163

-WELSH (J.P.), OpenForm and Earle Brown’s Modules I and II (1967), Anno 1994, Winter, pp. 254-291

-WEN-CHUNG (C.), “Open Rather Than Bounded”, a Varèse Chronology, Anno 1966, Fall-Winter, pp.7-10

-WENTZEL (W.), Dynamic and Attack Associations in Boulez’s Le Marteau sans maître, Anno 1991, Winter, pp. 142-171

-WERNTZ (J.), Adding Pitches : Some New Thoughts, ten Years after Perspectives of New Music’s “Forum: Microtonality Today”, Anno 2001, Summer, pp. 159-210

-WESTENDORF (L.), Cecil Taylor: Indent – “ Second Layer”, Anno 1995, Winter-Summer, pp. 294-327

-WESTERGAARD (P.), Some Problems in Rhythmic Theory and Analysis, Anno 1962, Fall, pp. 180 – 191

  • Webern and “Total Organization”: An Analysis of the Second Movement of the Piano Variations, Op. 27, Anno 1963, Spring, pp. 107 – 120
  • Some Problems Raised by the Rhythmic Procedures in Milton Babbitt’s Composition for Twelve Instruments, Anno 1965, Spring-Summer, pp.109-118
  • Toward a Twelve-Tone Polyphony, Anno 1966, Spring-Summer, pp.90-112
  • Conversation with Walter Piston, Anno 1968, Fall-Winter, pp. 3-17
  • On the Problems of “Reconstruction from a Sketch”: Webern’s Kunfttag III and Leise Düfte, Anno 1973, Spring-Summer, pp. 102-121

-WESTON (C.), Learning to Compose: A review, Anno 1990, Winter, pp. 344-351

-WHIPPLE (H.W.), An Elliott Carter Discography, 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 169-181

-WIERZBICKI (J.), Reflections on Rochberg and Postmodernism, Anno 2007, Summer, pp. 108-132

-WIGNALL (H.J.), Current trends in Italian Opera, Opera Today, Anno 1990, Summer, pp. 312-327

-WILCOX (A. G.), Perfect Fourths as a Scalar Opinion, Anno 1967, Spring-Summer, pp.141-145

-WILCOX (H.), A Musical Set Theory Ia, Anno 1978, Fall-Winter, pp. 230-234

-WILCOX (H.J.), Group Tables and the Generalized  Hexachord Theorem, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 535-539

-WILKINSON (C.), Robert Moevs’s Heptàchronon for Solo Cello, Anno 1997, Winter, pp. 231-262

  • John Lennon’s “Revolution9”, Anno 2008, Summer, pp. 190-236

-WILLIAMS (A.), Adorno and the Semantics of Modernism, Anno 1999, Summer, pp. 29-50

  • Madness in The Music Theater Works of Peter Maxwell Davies, Anno 2000, Winter, pp. 77-100

-WILLIAMS (E.W), Banqueting with the Emperor: Desiderata in Honor of Richard Swift, For Richard Swift at 70, Anno 1997, Winter, pp. 53-60

-WILLIAMS (D.), Concerning the Music that Will Be, Forum: Improvisation, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 101-106

-WILLIAMS (D.R.), Howard Hanson (1896-1981), Anno 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 12-25

-WINHAM (G.), Henry Weinberg, Three Songs, Anno 1964, Spring-Summer, pp. 106 – 111

  • Recent Books, Anno 1963, Spring, pp. 142 – 147
  • Composition with Arrays, Anno 1970, Fall-Winter, pp. 68-73
  • To Prove My Love published in memoriam, Anno 1975, Spring-Summer, pp. 67-84
  • Thoughts on “I.B.” from “L.W.” , Anno 1976, Fall-Winter, pp. 81-82

-WINICK (S.), Symmetry and Pitch-Duration Associations in Boulez’ Le Marteau sans maître, Anno 1986, Spring-Summer, pp. 280-321

-WINTLE (C.), Multiple Order Functions in Twelve-Tone Music: An Informal Addendum, pp. 386-389

  • An Early Version of Derivation: Webern’s Op. 11/3, Anno 1975, Spring-Summer, pp.166-177
  • Milton Babbit’s Semi-Simple Variations, Anno 1976, Fall-Winter, pp.111-154

-WITTLICH (G.), Interval Set Structure in Schoenberg’s Op. 11, No. 1, Anno 1974, Fall-Winter, pp. 41-55

-WOLFF (C.), Improvisation, Hetereophony, Politics, Composition: A Panel Discussion, Anno 2007, Summer, pp. 133-149

-WOLPE (S.), Thoughts on Pitch, Anno 1979, Spring-Summer, pp.28-55

  • Any Bunch of Notes, A Lecture (Edited By Austin Clarkson), Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 295-311
  • On Proportions, Anno 1996, Summer, pp. 132-185

-WUORINEN (C.), Notes on the Performance of Contemporary Music, Anno 1964, Fall-Winter, pp. 10 – 21

  • The Outlook for Young Composers, Anno 1963, Spring, pp. 54 – 61
  • Mario Davidovsky: Contrastes No. 1, Anno 1966, Spring-Summer, pp.144-149
  • Music in the Twentieth Century by William W. Austin, Anno 1966, Fall-Winter, pp. 142-147
  • An Appreciation, Anno 1976, Fall-Winter, pp.41-42
  • An “Appreciation” of Donald Martino, A Tribute to Donald Martino, Anno 1991, Summer, pp. 478-479

-XENAKIS (I.), Mykenae α, Anno 1987, Winter-Summer, pp.12-15

  • Xenakis on Xenakis, Anno 1987, Winter-Summer, pp. 16-63
  • Concerning Time, Anno 1989, Winter, pp. 84-93
  • Sieves, Computer Music Forum, Anno 1990, Winter, pp. 58-79
  • Four Envois, Anno 1993, Summer, pp. 132-135

– ZAGNY (S.), Imitation: Traditional and Nontraditional Transformations of Melodies, Anno 1999, Summer, pp. 163-188

-ZAPLITNY (M.), Conversation with Iannis Xenakis, Anno 1975, Fall-Winter, pp. 86-103

-ZARIPOV (R. Kh.), Cybernetics and Music, Anno 1969, Fall-Winter, pp. 115-154

-ZIPORIN (E.), It’s Monk’s Time, Anno 1981, Fall-Winter – Anno 1982, Spring-Summer, pp. 10-11

-ZUCKERMAN (M.), On Milton Babbit’s String Quartet No. 2, Anno 1976, Fall-Winter, pp.85-110

  • Two Good Texts: Naumann and Wagoner, Dodge and Jerse, Anno 1986, Spring-Summer, pp. 420-427

-ZUKOFSKY (P.), On Violin Harmonics, Anno 1968, Spring-Summer, pp. 174-181

-ZURBRUGG (n.), Two Interviews with Kenneth Gaburo, A Kenneth Gaburo Memorial, Anno 1995, Winter-Summer, pp. 10-27

-ZWEIFEL (P.F.), Generalized Diatonic and Pentatonic Scales: A Group- Theoretic Approach, Anno 1996, Winter, pp. 140-161

-ZWILICH (E.T.), A Bouquet for Elliott Carter, Anno 1982, Fall-Winter – Anno 1983, Spring-Summer, pp. 13-30