– BOLESŁAWSKA-LEWANDOWSKA (B.), Polish Symphonies of the 1980s as Public Statement against Martial Law, pp.178-191, Volume 8, 2011

– DZIADEK (M.), The Evolution of Cosmopolitan Attitudes in Polish Musical Culture of the Twentieth Century, pp.25-36, 2005

– GUZY-PASIAK (J.), Karol Rathaus, the Transplanted Composer, pp.163-177, Volume 8, 2011

– HELMAN (Z.), Émigrés by Choice, pp.5-25, Volume 8, 2011

– JARZĘBSKA (A.), Ideologies of Progress and Nationalism and the Concepts of Supranational and National Music, pp.5-24, 2005

– JASIŃSKA (D.), Neoclassical Ideas in the Works of Michał Spisak, pp.86-102, Volume 8, 2011

– KOSTKA (V.), An Artist as the Conscience of Humanity. Life in Emigration and the Artistic Output of Tadeusz Zygfryd Kassern, pp.134-162, Volume 8, 2011

– LESZCZYŃSKA (A.), From Spiš to Royal Prussia – the Creative Development of Johannes Celscher, pp.37-48, 2005

– LINDSTEDT (I.), The Development of Twelve-Note and Serial Techniques in the Music of Polish Twentieth-Century Composers, pp.106-124, 2005

– NOWAK (T.) – NOWAK (T.), The Work of Sorbian Composers and the Issue of Their National Identity, pp.192-205, Volume 8, 2011

– PRZYBYSZEWSKA-JARMIŃSKA (B.), From the Lutheran Selection: the Surviving Repertory of Vocal Instrumental Religious Music of the Musicians of the Polish Vasas , pp.59-71, 2005

– WEJS-MILEWSKA (V.), Roman Palester’s  “The Marsyas Conflict” as a Radical Vision of the Emigration, pp.26-60, Volume 8, 2011

– WIECZOREK (M.), Roman Maciejewski – An Independent Artist, A Truly Free Man, pp. 103-133, Volume 8, 2011

– ŻERAŃSKA-KOMINEK (S.), The Orpheus-Type Myth in Turkmen Musical Tradition, pp.125-138, 2005

– ŻÓRAWSKA-WITKOWSKA (A.), The Comici Italiani Ensemble at the Warsaw Court of Augustus III, pp.72-105, 2005

– ZWOLIŃSKA (E.), Importation or Partecipation? Remarks on the Reception and Adaptation of the Genre musica more antique mensurata in Sixteenth-Century Poland, pp.49-58, 2005