MUSIC BOOK

MUSIC BOOK

VOLUME VII of HINRICHSEN’S MUSICAL YEAR BOOK

PER.GB. 17

-BARRATT (C.), A View about Bach Performances, Vol. VII (1952), part II, pp. 282

-BONE (P.J.), Paganini and the Guitar, Vol. VII (1952), part II, pp. 475-485

-BOZZA (E.), The History of the ‘Prix of Rome’, Vol. VII (1952), part II, pp. 487-489

-BURG (M.), The Hymn of Good Prince Wenceslas, Vol. VII (1952), part II, pp. 256-262

-CHAGRIN (F.), C.D.M.I. Centre de Documentation de Musique Internationale, Vol. VII (1952), part II, pp. 550-555

-COLUCCI (H.), The Winners of the ‘Premier Grand Prix de Rome’ (Music), Vol. VII (1952), part II, pp. 490-493

-DALE (K.), A Miniature Miscellany of Musical Misprints, Vol. VII (1952), part III, pp. 604

-DAVIES (J.H.), A List of Durations and Associated Data of Bach’s Works, Vol. VII (1952), part II, pp. 411-435

-FARMER (H.G.), A King’s Musician for the Lute and Voice, Vol. VII (1952), part II, pp. 445-456

-FARNSWORTH (P.R.), The Musical Taste of an American Musical Elite, Vol. VII (1952), part I, pp. 112-115

-FISHER (N.), Chronological Table of Representative British Composers since Elgar, Vol. VII (1952), part I, pp. 156

-GALEA (J.), Malta’s Musical History, Vol. VII (1952), part II, pp. 226-232

-GODMAN (S.), A Classified Index of Bach Articles, Vol. VII (1952), part II, pp. 392

  • Bach’s Instrumentation, Vol. VII (1952), part II, pp. 407-409
  • The Newly Discovered Bach Portraits, Vol. VII (1952), part II, pp. 341-352

-GRAINGER (P.A.), Grieg’s Last Opus, Vol. VII (1952), part II, pp. 524-529

-GREIG (J.R.), Grieg and his Scottish Ancestry, Vol. VII (1952), part II, pp. 510-523

-HALL (R.), Twelve-Tone Music and Tradition, Vol. VII (1952), part I, pp. 128-133

-HEPPNER (S.) & DOUGLAS (R.), The History of the Signature Tune and its Development in Britain, Vol. VII (1952), part II, pp. 164-169

-HIND (H.C.), The British Wind-Band: A Brief Survey of its Rise and Progress during Three Centuries, Vol. VII (1952), part II, pp. 183-193

-HINRICHSEN (M.), A Concise Grieg Bibliography, Vol. VII (1952), part II, p. 535

  • Albert Schweitzer and the Heintzelman Portrait, Vol. VII (1952), part II, pp. 536-538
  • Anno Verdiano, Vol. VII (1952), part II, pp. 494-509
  • Bach, his Wives, and his Children. A Chronological Table, Vol. VII (1952), part II, p. 271
  • Compositions based on the motive B-A-C-H, Vol. VII (1952), part II, p. 379
  • Diagrammatic Map of Bach’s Travels, Vol. VII (1952), part II, p. 270
  • The Rediscovery in 1951 of an important Haydn Autograph (Hoboken No. 97), Vol. VII (1952), part II, pp. 457-459
  • The Well-Tempered Clavier (BWV 845-893) tabled for easy reference, Vol. VII (1952), part II, pp. 300-307

-KELLER (H.), The Piano Music of the Baroque, Vol. VII (1952), part II, p. 269

-KENNAN (D.W.), “The Messiah” in Dublin, Vol. VII (1952), part II, pp. 460-474

-KIRBY (P.R.), Ancient Egyptian Trumpets, Vol. VII (1952), part II, pp. 250-255

-KRENEK (E.), New Methods in Teaching Counterpoint, Vol. VII (1952), part I, pp. 116-127

-KREUTZ (A.), Ornamentation in J.S. Bach’s Keyboard Works, Vol. VII (1952), part II, pp. 358-378

-LANGWILL (L.G.), The Waits. A Short Historical Study, Vol. VII (1952), part II, pp. 170-181

-LONG (K.R.), The Music of the Bantu Tribes of Southern Africa, Vol. VII (1952), part III, pp. 577-593

-LOWERY (H.), Some Aspects of Musical Education in the U.S.A., Vol. VII (1952), part I, pp. 104-111

-MITCHELL (D.), ‘The Emancipation of the Dissonance’, Vol. VII (1952), part I, pp. 141-151

-MORLEY-PEGGE (R.), The Orchestral French Horn: Its Origin and Evolution, Vol. VII (1952), part II, pp. 195-219

-MORRIS (E.), Ringing the Changes, Vol. VII (1952), part III, pp. 556-558

-OSBURN (M.H.), Some Prehistoric Musical Instruments of North-America, Vol. VII (1952), part II, pp. 243-249

-REDLICH (H.F.), The Bach Revival in England (1750-1850), pp. 287-299

-RIEMENSCHNEIDER (A.), Bach Biographies and their Authors 1732-1935, Vol. VII (1952), part II, pp. 381

-RIEMENSCHNEIDER (A.) & SOLDAN (K.), The Clavieruebung, Vol. VII (1952), part II, pp. 308-310

-RUBSAMEN (W.H.), Descriptive Music for Stage and Screen, Vol. VII (1952), part II, pp. 559-569

-SCHAAL (R.), Chronological Table of Representative German Composers since 1860, Vol. VII (1952), part I, pp. 158-162

  • The Bach Dissertations of German Universities and Technical Colleges, from 1885, Vol. VII (1952), part II, pp. 405
  • The Fore-runners of the Grove-Blom, Vol. VII (1952), part III, pp. 594-601

-SHAW (G.B.), On Music and Musical Criticism, Vol. VII (1952), part II, pp. 539-541

-SCHNAPP (F.), The Riddle of the Bach Goblet, Vol. VII (1952), part II, p. 335-340

-SEARLE (H.), Schoenberg and the Future, Vol. VII (1952), part I, pp. 134-138

  • The Works of Arnold Schoenberg, Vol. VII (1952), part I, pp. 139

-SIMON (A.), Polish Instruments and Constructors of Instruments in Poland, Vol. VII (1952), part II, pp. 220-225

-SNELL (R.), Goethe and Bach, Vol. VII (1952), part II, pp. 353-357

  • Grieg’s Letters to his Publishers, Vol. VII (1952), part II, pp. 530-534

-SUMNER (W.L.), A History of Musical Pitch, Vol. VII (1952), part II, pp. 233-242

-SZIGETI (J.), The Rediscovered “Violin” Concerto in G minor (BWV 1056a), Vol. VII (1952), part II, p. 333

-WILLIAMS (R.V.), Bach, the Great Bourgeois, Vol. VII (1952), part II, pp. 277

 

 

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