– ADLER (I.), Schoenbergiana at the Jewish National and University Library, Jerusalem , pp.9-26, Volume 2, 1980

– BADURA-SKODA (E.), Prolegomena to a History of the Viennese Fortepiano, pp.77-100, Volume 2, 1980

– BAHAT (A.), Traditional Elements and Dodecaphonic Technique in the Musico f Oedoen Partos (1907-1977), pp.175-189, Volume 1, 1978

– BRAUN (J.), Beethoven’s Fourth Symphony: Comparative Analysis of Recorded Performances, pp.54-76, Volume 1, 1978

– CHURGIN (B.), A New Edition of Beethoven’s Fourth Symphony: Editorial Report, pp.11-53, Volume 1, 1978

– COHEN (D.), Meter and Rhythm in Music and Poetry, pp.99-141, Volume 1, 1978

– DORFMAN (J.), Tonal Concepts in the Instrumental Chamber Works of Paul Hindemith, pp.141-156, Volume 2, 1980

– GERSON-KIWI (E.), Melodic Patterns in Asiatic Rituals: The Quest for Sound Alienation, pp.27-32, Volume 2, 1980

– HARRÁN (D.), On The Question of Mannerism in Early Music, pp.92-98, Volume 1, 1978

– HIRSHBERG (J.) – SAGIV (D.), The “Israeli” in Israeli  Music: The Audience Responds, pp.159-173, Volume 1, 1978

– KEREN (Z.), Variants of the Blues Progression, pp.157-168, Volume 2, 1980

– NETTL (B.) – SHILOAH (A.), Persian Classical Music in Israel: A Preliminary Report, pp.142-158, Volume 1, 1978

– RATNER (L.), Texture, A Rhetorical Element in Beethove’s Quartets, pp.51-62, Volume 2, 1980

– ROSAND (E.), L’Orfeo: The Metamorphosis of a Musical Myth, pp.101-120, Volume 2, 1980

– SCHLEIFER (E.), Lamentations and Lamentation Tones in the Mexican Choibooks at the  Newberry Library, Chicago, pp.121-139, Volume 2, 1980

– SHAMGAR (B.), Dramatic Devices in the Retransitions of Beethoven’s Piano Sonatas, pp.63-76, Volume 2, 1980

– SHARVIT (U.), The Role of Music in the Yemenite Heder, pp.33-50, Volume 2, 1980

– TAL (J.), In Memoriam Oedoen Partos, p.174, Volume 1, 1978

– WIESEL (M.), The Presence and Evaluation of Thematic Relationships and Thematic Unity, pp.77-91, Volume 1, 1978