– ABRAHAM (G.), Music in Croatia by Josip Andreis, pp.182-186, 1976

– ANDREIS (J.), Musicological Editions in Croatia, pp.139-141, 1970

  • Musicology in Croatia, pp.7-45, 1970
  • Musicology in Croatia from 1965 till 1973, pp.5-38, 1974

– BACH (I.), Vier musizierende Engel auf der Monstranz aus dem J. 1406 in der Schatzkammer der Zagreber Domkirche, pp.137-157, 1976

– BILIĆ (F.), The Life of Antun Vancaš, pp.119-132, 1973

– BONIFAČIĆ (V.), Music Libraries and Collections in Croatia, pp.47-60, 1970

– BOŠKOVIĆ (I.), Unknown Organists in Split in the Seventeenth and Eighteenth Centuries, pp.85-98, 1975

  • The Split Organist Francesco Gasparini – Der Organist Francesco Gasparini aus Split, pp. 123-136, No.2, 1977

-BUJIĆ (B.), The Aesthetics of Music. Some of its Aims and Limitations – Musikästhetik. Einige ihrer Ziele und Grenzen, pp.66-74, No.1, 1977

  • Josquin, Leonardo and the Scala Peccatorum, pp.5-22, 1975
  • Music in Croatia, pp.186189, 1976
  • A Rondellus from Dalmatia, pp.107-117, 1972

– CIPRA (M.), Contemporary Music and its Historical Relations, pp.43-50, 1972

– CVETKO (D.), Problems and Achievements of Slovene Musical Scholarship – Probleme und Leistungen der Musikwissenschaft in Slowenien, pp.55-65, No.1, 1977

  • The Relations between Josip Slavenski and Slavko Osterc, pp.63-82, 1972

– DJURIĆ-KLAJN (S.), Last Hopes and Searching of Antun Dobronić, p.83, 1972

– FAULEND-HEFERER (I.), Nakić’s Organ in St. Francis’s Church in Šibenik: An Acoustical and Technical Analysis; Restoration, pp.47-99, 1973

– FELLERER (K.G.),  Music in Croatia, pp.189-199, 1976

– FISCHER (K.), Novelty in European Art Music as a Socio-Cultural Problem, pp.31-42, 1972

– FRANKOVIĆ (D.), The Correspondence between Kuhać and Gerbič, pp.99-114, 1975

  • The Role of the Illyrian Press in the Musical Life of Croatia (1835-1849) – Die Rolle der Illyrischen Presse im Musikleben Kroatiens (1835-1849), pp.61-99, 1976
  • The Role of the Illyrian Press in the Musical Life of Croatia (1835-1849), Second Part – Die Rolle der Illyrischen Presse im Musikleben Kroatiens (1835-1849), zweiter Teil, pp.5-54, No.1, 1977

– HUDOVSKY (Z.), Boris Papandopulo as a Musical Writer and a Critic, pp.133-147, 1973

– JURANIĆ (Z.), The Life and Work of Antonio  Smareglia (1854-1929) – Über Leben und Werk Von Antonio Smareglia (1854-1929), pp.137-159, No.2, 1977

– KOS (K.), The Beginnings of New Croatian Music – Wegbereiter der neuen kroatischen Musik, pp.19-39, 1976

  • The Depiction of Musical Instruments in Mediaeval Istrian Mural Paintings, pp.77-95, 1970
  • Luka Sorkočević and His Contribution to the Pre-Classical Instrumental Music, pp.67-93, 1974
  • The Place of Solo-Song in Ivan Zajc’s Work, pp.85-97, 1972

– KOVAČEVIĆ (K.), The Croatian Musicologist Josip Andreis, pp.18-30, 1972

  • Krešimir Baranivić (1894 – 1975), pp.5-17, 1976
  • The Music Academy in Zagreb, pp.97-106, 1970

– MAJER-BOBETKO (S.), Vjenceslav Novak’s Notes on the Aesthetics of Music – Die Anmerkungen Vjenceslav Novak in der Musikästhetik, pp.75-87, No.1, 1977

– PEJOVIĆ (R.), Croatian Musicians and Composers in Belgrade between the Two World Wars, pp.119-145, 1972

– PETROVIĆ (D.), Balkan Travelogues from the Fifteenth to the Eighteenth Centuries as Sources for the History of Serbian Music, pp.101-108, 1973

– PLAMENAC (D.), Roman Opera of the 17th Century, the Birth of Louis XIV, and Rafael Levaković, pp.51-62, 1972

– RAKIJAŠ (B.), The Development of Musical Terminology in Croatia after Kuhač in the Period from 1918 till 1941, pp.71-83, 1975

– RIJAVEC (A.), Slovenian Contribution to the Zagreb Biennale of Contemporary Music – Der slowenische Beitrag zur Zagreber Biennale für zeitgenössische Musik, pp.161-170, No.2, 1977

– ŠABAN (L.), The Art and Works of the Organ-Builder P. Nakić, pp.5-45, 1973

  • Musicians in North Croatia in the 13th Century, pp.61-75, 1970
  • Report on Arranging of Two Music Archives in Varaždin and One Music Archives in the Franciscan Monastery in Košljun (The Island of Krk) in 1972, pp.121-134, 1974
  • Unpublished Concert Posters and programmes as Valuable Historical Material – Diemunveröffentlichten Konzertplakate und Programme als wichtiges historisches Material, pp.101-135, 1976

– SALMEN (W.), Christ’s Passion Accompanied by Musicians. An Iconographical Problem, pp.99-105, 1972

– SIVEC (J.), The Performances of Bellini Operas on the Stage of the »Stanovsko gledališče« in Ljubljana, pp.109-118, 1973

– SMOJE (D.), Musical Notation of Mediaeval Manuscripts Kept in Poitiers, pp.23-37, 1975

– SUPIČIĆ (I.), Aesthetic and Contemporary Music, pp.39-70, 1975

  • Aesthetic Views in Contemporary Croatian Music – A Survey of the Basic Concepts of Nine Composers, pp.107-137, 1970
  • The Problem of Meaning in Music, pp.39-48, 1974
  • The Zagreb Institute of Musicology in 1969, pp.142-143, 1970

– TUKSAR (S.), The Croatian Humanist Pavao Skalić (1534?-1575) as a Writer on Music and his Discursus Harmonicus (1559) – Der kroatische Humanist Pavao Skalić (1534?-1575) als Musiktheoretiker uns sein Discursus Harmonicus (1559), pp.97-122, No.2, 1977

  • Croatian Musical Terminology in the Dictionarium (1595) of Faust Vrančić – Die kroatische Musikterminologie im Dictionarium (1595) von Faust Vrančić, pp.41-59, 1976
  • Elements of Antique and Mediaeval Theories of Music in the Work of Federik Grisogono-Bartolčić, pp.49-66, 1974
  • Institute of Musicology in 1971 and 1972, pp.149-153, 1973
  • A Report on the Classification and Cataloguing of the Musical Archives of Split Cathedral – Bericht über das Ordnen und die Katalogisierung des Musikarchivs der Kathedrale in Split, pp.171-190, No.2, 1977

– ŽIC-ROKOV (I.), Some Information About the Cathedral Organs and the Musical Life in Krk in the Past, pp.95-119, 1974

– ŽUPANOVIĆ (L.), A Necessary Post-Scriptum about Music in Croatia, pp.200-201, 1976